Recent research in writing studies has highlighted meta-awareness as valuable for student learning in courses such as first-year writing (FYW); however, meta-awareness needs to be further theorized and its components identified. In this article, I draw on a case study of six students in two FYW courses that is informed by Gregory Schraw's model of metacognition and Anthony Giddens's theory of practical and discursive consciousness to outline four writing/rhetorical concepts within which meta-awareness about composition is observable. These concepts include: 1) process, 2) techniques, 3) rhetoric, and 4) intercomparativity, and they provide a preliminary framework for meta-awareness about composition that others might expand upon as we continue to build knowledge of how writers learn.