This article reports of an ethnographic study conducted in two academic research centers. The article is centrally directed at the role of digital technologies and devices in contemporary academic work, and more particularly at the role of the screen in the daily composition of this work. Three central questions are raised. First, which positional relations do academics need to uphold with the screen in order for the screen to be able to operate? Second, in which forms do these digital devices come into being? Third, which sorts of (in)compatibility between activities are established because of the mutual interplay between academics and screens? By adopting a relational, sociomaterial approach, the study gives an account of the established choreographies that are enacted likewise, provides an overview of the role and operations of the screen in contemporary academic work, and analyzes which sorts of time and space are generated likewise.