Adopting the lens of "new histories" as the basis for my inquiry into the institutional legacy of the art program at Toronto's Central Technical School (CTS), I created a methodological framework informed by the traditional art form of the polyptych, in which many panels are joined together to show and tell multilayered stories connected to a central theme, to demonstrate visually how stories are interrelated, and to present openings to other stories. In polyptychs, I found a means to express both the form and content of my research in ways that are artful, permeable, and conductive. Through Prezi, a digital presentation and storytelling platform, I discovered how the polyptych can become three-dimensional. The resulting series of intertextual expressions create a portrait of the complex, expansive, and multigenerational stories that make up the history of CTS. This article describes how I came to see the polyptych as a methodological frame by unpacking its historic roots; by exploring how it operates in contemporary historical research; and by reflecting on how my identity as an artist, teacher, and researcher influences the way I organize stories within this framework.