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ERIC Number: EJ1061222
Record Type: Journal
Publication Date: 2015-Apr
Pages: 27
Abstractor: As Provided
Reference Count: 41
ISBN: N/A
ISSN: EISSN-1545-4517
Upping the "Anti-": The Value of an Anti-Racist Theoretical Framework in Music Education
Hess, Juliet
Action, Criticism, and Theory for Music Education, v14 n1 p66-92 Apr 2015
In a time that some have argued is "postracial" following the election and reelection of Barack Obama (see Wise 2010, for discussion), this paper argues that antiracism is a crucial theoretical framework for music education. I explore three areas of music education, in which such a framework can push toward change. The first area speaks directly to positionality and recognition of where students are situated in the matrix of domination (Collins 2000). Secondly, anti-racism encourages multicentricity and readily allows for multiple epistemologies or ways of knowing the world, in a manner quite contrary to a more ensemble-based paradigm. Finally, this critical theoretical orientation enables the pursuit of an equity agenda in the actual practice of teaching. In order to give practical context to these ideas, I draw on research from a multiple case study of four elementary music teachers in a large Canadian city. To varying extents, all four teachers employed an anti-racist orientation in their teaching. I use examples from three teachers in the field to illustrate how teachers used this orientation to implement differential recognition, encourage the use of multiple epistemologies, and pursue conversations about equity.
MayDay Group. Brandon University School of Music, 270 18th Street, Brandon, Manitoba R7A 6A9, Canada. Tel: 204-571-8990; Fax: 204-727-7318; Web site: http://act.maydaygroup.org
Publication Type: Journal Articles; Reports - Evaluative
Education Level: Elementary Education
Audience: N/A
Language: English
Sponsor: N/A
Authoring Institution: N/A
Identifiers - Location: Canada (Toronto)