Radical political activism in the 1970s and 1980s had a huge impact on documentary photography in Britain. Community organisations and photography collectives emerged and endeavoured to democratise the arts for those who would not otherwise have come into contact with them. Community photography used the technology to break down the barriers between artist and audience. It involved participation in the production of ideas and meanings, the active transference of skills and the acquisition of technical and aesthetic skills within communities in the hope that arts techniques/activity would become an integral part of everyday lives. For many of the projects the central objective was about learning--enabling an understanding of how events, ideas, and social relations are made meaningful through the promotion of visual literacy. This paper will document the emergence of the community photography movement in 1970s and '80s Britain, the learning strategies developed and the arguments around the fragmenting of alternative photographic practice in the 1980s with the movement away from putting cameras into people's hands towards greater engagement with cultural theory and the politics of representation.