Based on the needs for viable melodic dictation strategies and thoughtful approaches to teaching prerequisite skills, the central research question guiding this qualitative study was as follows: What strategies do dictation takers describe having used on successfully completing a standard melodic dictation? Six sophomore music majors, recommended…

For several years, an emphasis on standardized testing in certain subjects has often resulted in competition for student time and scheduling choices that may not favor music classes. However, a great deal of literature exists to indicate that music students achieve more success than nonmusic students on a variety of academic measures. The purpose…

During evening practice sessions, 32 nonpianist musicians learned a short melody on piano, and then either learned a second short piano melody, learned a difficult unfamiliar piece on their principal instruments, practiced familiar material on their principal instruments, or engaged in no other music-related motor behavior prior to sleep; practice…

This study examined possible influences of demonstrator gender on children's instrument choices. Participants (N = 104) included boys (n = 53) and girls ( n = 51) in fifth grade (n = 27), third grade (n = 41), and kindergarten (n = 36) in six intact music classes from a single elementary school. Pretest and posttest consisted of circling (Grades 3…

The purpose of this study was to explore the reasons why undergraduate music majors pursue a career in music performance. The authors surveyed music majors at seven institutions and asked them about the main reasons as to why they were considering a career in music performance. Participant responses yielded qualitative data that the authors coded,…

The purpose of this study was to determine if participants believed that participation in music education methods courses would provide adequate training to address concerns they had about teaching either within or outside their area of familiarity. One hundred fifty-nine music majors enrolled in music methods courses during the 2005-2006 academic…

The purpose of this study is to obtain survey and observation data concerning music education majors' practice room behavior. A survey provided opportunity for participants ( n = 38) to articulate techniques they used in practice. An observation component (n = 9) provided a view of the use of these techniques in actual practice. All participants…

This study examines the extent to which the perceptions of observers instructed to rate the quality of students' performances within ensemble rehearsals and applied lessons differ from those not so instructed. Music education majors (N = 52) wrote statements of observation during their viewing of a stimulus tape. All participants were informed of…