Underscores the need for specialized native teacher training programs, describing university and community college programs fulfilling this need. Discusses the necessary anthropological, sociological, and historical foundations of Native American education. Highlights instructional methodologies for native students, including culturally responsive…

Describes individual, community, organizational, and college examples of efforts to promote sobriety and recovery from alcoholism among Native Americans. Discusses a sobriety movement tenet that alcoholism threatens the entire tribe and requires collective action. Highlights links with a broader movement for spiritual and cultural renewal. (DMM)

Offers statistics on family violence in the United States. Indicates that, although the concept of family violence is diametrically opposed to the philosophical and spiritual beliefs of indigenous peoples, it is pervasive in Native American communities. Urges tribal colleges to acknowledge its presence and confront its causes. (DMM)

Describes a survey of faculty at 25 tribally controlled colleges to determine whether faculty were willing to provide instructional accommodations to disabled students, if they felt students would benefit or academic integrity would suffer and if they or their institution provided accommodations. Includes statistics on American Indians with…

Traces increases in Indian-controlled economic development, community health, and cultural programs on reservations, highlighting the role of tribal colleges. Discusses Indian education's prior goals of complete submersion in White culture and separation of students from their heritage/language. Considers ways this legacy persists. Highlights…

Highlights the efforts of numerous twentieth-century politicians and educators who supported or opposed the creation of an Indian college. Quoting from Native American and White spokespersons, illustrates positions ranging from August Breuninger's who stressed cultural preservation to Richard Pratt's who wanted Indians "to quit being Indian." (DMM)

Describes the different approaches to art by the American Indian and western cultures and the approach of students at the Institute of American Indian Arts, combining elements from each to create new Indian art forms. Discusses the Indian Arts and Crafts Bill of 1990 and its definition of Indian art and artists. (DLM)

Reviews the work of Corwin Clairmont, an American Indian artist who attempts to blend history with contemporary social issues using art. Describes Clairmont's multimedia pieces and exhibits on such themes as treaty rights and the Columbus Quincentenary. (LRS)

Discusses the limited options available to Native American art students for developing artistic skills, stressing that the emphasis on mass marketing can hinder the creativity of young artists. Suggests alternatives for art programs and art students. Urges students to recognize that there are choices when it comes to serious art. (MY)

Describes the difficult position of Native American artists seeking to maintain cultural integrity and creativity while producing commercially feasible works of art. Uses a hypothetical situation of two pottery makers, one mass marketing less expensive items and the other promoting authentic wares, to illustrate the inherent demands and conflicts…

Discusses the art department at Northwest Indian College which offers traditional arts and crafts along with conventional classes. Cites the program's commitment to the values and skills of traditional art in the recognition of Indian artists and as a community resource. Highlights the experiences of a basketmaker, a woodcarver, and a sculptor.…

Describes an instructor's experience teaching English composition at Turtle Mountain Community College during the summer of 1990. Explores the difficulties of bicultural education at Indian reservations and recognizes the real meaning of cultural exchanges between American culture and Indian culture. (IH)

Reviews elements of traditional scientific method and trends among Native American and other scholars to include intuitive, spiritual, and personal categories of understanding. Suggests four areas of focus to evaluate the new scholarship: importance of the research, integrity of the process, explanation of the methodology, and acknowledgment of…

Describes a cooperative program between Fort Belknap College, in northern Montana, and an archeological firm designed to provide Native American students with hands-on experience in research and excavation of Indian artifacts. Reviews benefits of the partnership with respect to student experience and knowledge of ancient cultures. (MAB)

Provides the insights of Dr. John Red Horse regarding Native American tribal control over research conducted in Indian communities, the role and approaches of non-Indian academic scholarship regarding Native Americans, and changes in research methodology brought about by Native American researchers focusing on immediate needs of the community.…