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Rosenfeld, Malke; Kelin, Daniel; Plows, Kate; Conarro, Ryan; Broderick, Debora – Teaching Artist Journal, 2014
When one says "writing about teaching artist practice," what exactly does that mean? In the first two sections (EJ1039315 and EJ1039319), the authors considered different ways to frame a story by either zooming in closely to a specific moment or zooming out to provide more context in an effort to address complex issues. The stories in…
Descriptors: Art Education, Writing (Composition), Personal Narratives, Art Teachers
Rosenfeld, Malke; Johnson, Marquetta; Plemons, Anna; Makol, Suzanne; Zanskas, Meghan; Dzula, Mark; Mahoney, Meg Robson – Teaching Artist Journal, 2014
Writing about the teaching artist practice should mean writing about art making. As both teacher and artist, the authors are required to be cognizant of their own art-making processes, both how it works and why it is important to them, in order to make this process visible to their students. They also need the same skills to write about how and…
Descriptors: Art Activities, Art Education, Writing (Composition), After School Programs
Rosenfeld, Malke; Conarro, Ryan; Schwartz, Michael B. – Teaching Artist Journal, 2014
As seen in the previous section (EJ1039315) writing about teaching practice is more than simply reporting about what was done and in what order. When teachers zoom in closely to highlight the feel and tone of one particular classroom moment, lesson, or project, they create a microcosm in which many aspects of the individual teaching values,…
Descriptors: Art Education, Writing (Composition), Electronic Publishing, Web Sites
Rosenfeld, Malke; Rufo, David; Makol, Suzanne; Greco, Ardina; Flores, Chio; Redman, Jeff – Teaching Artist Journal, 2014
The last two sections (EJ1039315 and EJ1039319) presented stories about specific moments or lessons. Also, situations infused with complexity where the writers had to toggle back and forth between providing the larger context and the details that support readers' understanding of that big picture were presented. In this section each story is…
Descriptors: Art Education, Writing (Composition), Creativity, Studio Art
Rosenfeld, Malke; Mahoney, Meg Robson; Jordan, Kim; Jackson, Spoon; Gabel, Bonnie; Adams, Holly; Plemons, Anna – Teaching Artist Journal, 2014
It is definitely easier to write about work when things are going well, but it is even more important to write about what happens when things get challenging. The act of writing about the challenging times can be challenging in itself but can also provide invaluable insights into the process of teaching: important for the writer and just as…
Descriptors: Art Education, Writing (Composition), Personal Narratives, Art Teachers
Hermsen, Terry – Teaching Artist Journal, 2010
For years, like many U.S. poets, the author felt he knew the work of Pablo Neruda--and taught bits and pieces of his story and his poems in various locations. The author drew on the poems he'd come to love years ago in "Residence on Earth," "The Heights of Machu Picchu," and his "Elemental Odes," along with snippets from his beautiful evocative…
Descriptors: Foreign Countries, Poetry, Authors, Personal Narratives
Cruz, Jesl Xena Rae – Teaching Artist Journal, 2009
The author came to America to learn more, not just about special education, but about the importance of nurturing one's love for the quest of discoveries that constantly lead to other revelations, which eventually give rise to more inquiry questions that bring about reflections generated interpersonally or intrapersonally. In this article, the…
Descriptors: Special Education, Art Education, Integrated Curriculum, Personal Narratives
Cobb, Catlin – Teaching Artist Journal, 2009
In this article, the author shares her experiences of the universality of art making and artistic experience of being a dancer and teaching artist. She describes her performance at Kohler, a worldwide leader in plumbing products in Spartanburg, South Carolina, where she had an epiphany dancing in a toilet factory--a sudden, intuitive moment of…
Descriptors: Dance, Art Activities, Personal Narratives, Art Products
Aprill, Arnold – Teaching Artist Journal, 2007
In this article, the author recalls the life of playwright, artist, and educator Sterling Houston. Sterling was a teaching artist in a much more global sense. He taught everyone who encountered him how to connect across difference--across race, class, ideology, age, gender, and sexual orientation. He had a talent for gently pushing aside the fears…
Descriptors: Artists, Authors, Biographies, Theater Arts
Sutton, Mary – Teaching Artist Journal, 2007
TheatreWorks is the third largest theatre in the San Francisco bay area. Through the usual educational programs that $6 million companies tend to offer, it has reached over 100,000 students of all ages in the past 8 years. The TheatreWorks Bridges Projects, however, are special. They are intricate and expansive, work with multiple community…
Descriptors: Photography, Drama, Personal Narratives, Disadvantaged Environment
Lucero, Jorge – Teaching Artist Journal, 2006
Trained as a studio painter, the author, describes the challenges he faced as circumstances forced him to make the transition from studio artist to teacher. For many years he believed that there was no way to get anywhere as an artist If he was not working exclusively in the studio. He felt that if he stopped painting or even dedicated less time…
Descriptors: Artists, Art Teachers, Personal Narratives, Art Activities
Ward, B. J. – Teaching Artist Journal, 2005
In this article, the author relates how his friends do not understand the type of work that he does as a poetry teacher. His friends know him as someone who cheers on the Yankees voraciously with them and will roll his sleeves up and stuff three knockwurst sandwiches down his throat, trying to explain how Walt Whitman would approve of this, that…
Descriptors: Poetry, Teaching (Occupation), Writing Teachers, Poets
Wood, Paul – Teaching Artist Journal, 2005
The establishment of Maui Arts & Cultural Center (MACC), a community arts facility that prioritizes education at the top of its mission, has been a significant factor in the growth of arts education in Hawai'i. This article describes the role such a facility can play in the kind of educational reform that people envision, and the author's belief…
Descriptors: Art Education, Educational Change, Arts Centers, Change Strategies

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