This section is full of stories from teaching artists working to clarify what needs to change within their practices and moving toward solutions--whether it's supporting a classroom of learners in new and unexpected ways, reassessing one's approach in the classroom, shepherding an individual child toward success, or professionalizing an…

When one says "writing about teaching artist practice," what exactly does that mean? In the first two sections (EJ1039315 and EJ1039319), the authors considered different ways to frame a story by either zooming in closely to a specific moment or zooming out to provide more context in an effort to address complex issues. The stories in…

It is definitely easier to write about work when things are going well, but it is even more important to write about what happens when things get challenging. The act of writing about the challenging times can be challenging in itself but can also provide invaluable insights into the process of teaching: important for the writer and just as…

The author is a teaching artist. Most of her previous experiences as a teaching artist have afforded her the opportunity to create and facilitate a lesson or an arc of lessons through a residency in a school. She was the "expert" artist in the partnership. The author longs to have a deeper, more fruitful impact on classroom learning. What might…

No matter how disturbing, it is common to hear "that's so gay" or "you're such a fag" echoing through the halls of a high school, but when the high school is an international school in Uganda, those words have a newfound potency. As an American teacher working abroad, the author often struggled over her responsibility for the ethical conduct of…

This article presents an analysis of Nilaja Sun's one-woman play, "No Child" . . ., that applies the Studio Habits of Mind framework to reveal essential features of great teaching artistry and great teaching. The play conveys much about twenty-first century schools and the policies that control them; about respect, equity, justice, and the lack of…

In this article, the author recalls the life of playwright, artist, and educator Sterling Houston. Sterling was a teaching artist in a much more global sense. He taught everyone who encountered him how to connect across difference--across race, class, ideology, age, gender, and sexual orientation. He had a talent for gently pushing aside the fears…

TheatreWorks is the third largest theatre in the San Francisco bay area. Through the usual educational programs that $6 million companies tend to offer, it has reached over 100,000 students of all ages in the past 8 years. The TheatreWorks Bridges Projects, however, are special. They are intricate and expansive, work with multiple community…

Like art, ethics can be a complex and scary mirror that forces us to consider, practice, and profess specific choices that speak to who we are and what we value. The author of this article observes that confronting specific ethical dilemmas within her work with young people has brought various tensions to the forefront of her practice as a…

The author learned that the book "The Catcher in the Rye," so important to him as a young man, had been challenged by adults and could easily have been barred from his school's reading list. He started thinking about who had the power to tell him what he could and could not read as a teenager and as a high school student. What were the reasons the…

The residency about which the author writes was with students at The Roeper School in Birmingham, Michigan. This school is unusual in its support for a liberal arts and process-based education. In this article the author, an accomplished director and Teaching Artist, recounts the many engaging dimensions of a student production of "Henry V."

Few universities or colleges offer courses in the Teaching Arts; even fewer offer formal degree programs in the field. What alternative models already exist for the training of Teaching Artists? And as educators build new models, what should be the core content, and with what scope and structure? This article explores these questions through a…

This article presents an interview with Richard Hahlo, a Teaching Artist, trainer of Teaching Artists, actor, director and author who has worked around the globe in a variety of settings. In Germany, England, Japan, Poland, South Africa and the United States, he has brought his unique vision and skill to a wide range of students, teachers,…