This section is full of stories from teaching artists working to clarify what needs to change within their practices and moving toward solutions--whether it's supporting a classroom of learners in new and unexpected ways, reassessing one's approach in the classroom, shepherding an individual child toward success, or professionalizing an…

When one says "writing about teaching artist practice," what exactly does that mean? In the first two sections (EJ1039315 and EJ1039319), the authors considered different ways to frame a story by either zooming in closely to a specific moment or zooming out to provide more context in an effort to address complex issues. The stories in…

The last two sections (EJ1039315 and EJ1039319) presented stories about specific moments or lessons. Also, situations infused with complexity where the writers had to toggle back and forth between providing the larger context and the details that support readers' understanding of that big picture were presented. In this section each story is…

In this article, the author talks about innovative high school curricula that engage students through the study of visual art in conjunction with critical study of history and social movements. Just as historians place a premium on locating and interpreting events in time, the visual arts are centered on getting an idea across in a visual form,…

The author has been an art educator at the largest urban high school in Toronto, Canada, for the past six years, and every year he attends his students' convocation. Traditionally convocation is held at the beginning of November, and those Grade 12 students who graduated the previous spring return to high school for a celebration and to receive…

In 2011, the author made the transition from teaching assistant to teaching artist. From 2007 to 2011 she was an assistant teacher at Marwen, an organization that provides free art classes for middle and high school students in the Chicago area. It was there that she began to realize how much she enjoyed helping people as a teacher, whether…

In their work with various educators, artists, and learners around the world, the authors have been exploring what it takes to collaborate successfully across multiple technological platforms and cultural borders. In this article, the authors describe three international collaborations in arts learning that they facilitated and participated in via…

In this article, the author relates his experience working for the Department of Education as an "arts content coach" and visiting in rural Alaska's schools. He shares how he is guiding the youths in analyzing the visual elements of stage pictures so that they can create their own tableaux of important historical inventions. He asks some vital…

No matter how disturbing, it is common to hear "that's so gay" or "you're such a fag" echoing through the halls of a high school, but when the high school is an international school in Uganda, those words have a newfound potency. As an American teacher working abroad, the author often struggled over her responsibility for the ethical conduct of…

Using videoconference, three different groups met to talk about teaching artist practice using the same three convening questions--How do you make art? What communities are you a part of? What, for you, are the connections between your art making and communities?--and the same piece of student work--a short video composed of a series of digital…

What does it take to be a "master" teaching artist (TA)? Are there certain skills and abilities that are common to all TAs that are at the top of their field. In this article, the author describes the process and purpose behind the first national fellowship for teaching artists. The fellowship was a significant event: (1) no such national award…

Nanakuli is a rural, poverty-stricken community on the remote west coast of the Hawaiian island of O'ahu. In May 2006, Nanakuli High and Intermediate was ranked the worst school in the state of Hawaii. In this article, the author relates what happened when she led teens in Nanakuli through the creation and performance of an original theatre show…

This article describes Nilaja Sun's groundbreaking one-woman show about a TA, her students, and her school, and includes interviews with the author/performer, an excerpt of the work, and a discussion of the organization behind it.

TheatreWorks is the third largest theatre in the San Francisco bay area. Through the usual educational programs that $6 million companies tend to offer, it has reached over 100,000 students of all ages in the past 8 years. The TheatreWorks Bridges Projects, however, are special. They are intricate and expansive, work with multiple community…

In this article, the reviewer focuses on a study of a professional development workshop and visual art studio workshops for adolescents. It is her hope that teaching artists will draw new ideas about curriculum and content from the discussion of this work and that the issues discussed here may provide inspiration for their own shift in thinking…