The classroom offers a unique and effective venue for community engagement and an opportunity for teaching artists to dive into a topic on both practical and theoretical levels, resulting in well-informed input. That well-informed input is then translated into thoughtful action. It is exciting to engage students early on in shaping their community…

This case study is one of twenty cases derived from Anderson and Risner's international study of teaching artists in dance, and theatre, which investigated participants' (n=172) artistic and academic preparation in dance, and theatre, initial entry into the teaching artist field, rewards, challenges, and obstacles in participants'…

This section is full of stories from teaching artists working to clarify what needs to change within their practices and moving toward solutions--whether it's supporting a classroom of learners in new and unexpected ways, reassessing one's approach in the classroom, shepherding an individual child toward success, or professionalizing an…

Writing about the teaching artist practice should mean writing about art making. As both teacher and artist, the authors are required to be cognizant of their own art-making processes, both how it works and why it is important to them, in order to make this process visible to their students. They also need the same skills to write about how and…

It is definitely easier to write about work when things are going well, but it is even more important to write about what happens when things get challenging. The act of writing about the challenging times can be challenging in itself but can also provide invaluable insights into the process of teaching: important for the writer and just as…

In this article, the author, a poet and teaching artist, shares how he successfully brought slam poetry to College Hill Middle School in Texarkana, Arkansas. In 2001 he discovered slam poetry--a poetry-reading format in which poets compete in dramatic readings of their works--and went to Slam Nationals in Seattle on the Arkansas slam team. He…

Support from school partners is absolutely necessary. Every teaching artist knows this, and every arts education organization strives to cultivate this support. In this article, the authors create some powerful strategies for achieving this support, such as agreeing at the outset about the focus of the residency. Lessons that develop meaningful…

This article looks at an inner city playwriting project that brought professional writers and artists into inner city classrooms to help students explore the cultural history of their community and begin to find their own voices as writers. This project was set up by Larry Hunter, an African American playwright who worked as a writer-in-residence…

In this article, the author describes the learning her students gained from their field trip to the Museum of Contemporary Art (MCA) in Chicago. On their trip to MCA, her fourth-grade students discovered new and surprising ways to approach the work of artist Dan Flavin.

In this article, the author talks about the "December 7, 1941 Project," a partnership between Honolulu Theatre for Youth (HTY) and a local elementary school. The project brought together 4th and 5th grade students and teachers with community elders, artists and parents, using oral history and drama education to investigate memories surrounding the…

The call for curriculum integration "with" and "through" the arts is evident within many elementary school environments. Arts specialists are frequently asked to link their classroom curriculum to other content area instructional goals and standards. Furthermore, fully one third of national, state and local content standards in the arts (music,…

As a Teaching Artist (TA) for the past 12 years, the author has visited hundreds of schools in western Pennsylvania. She has had an opportunity to work with many talented and dedicated classroom teachers, arts teachers and administrators who all share an enthusiasm for making the arts central to quality education. The teachers and administrators…

Throughout history, visual artists have consciously pulled away from the mainstream hustle and bustle to concentrate, be alone and get work done. Many students in traditional school settings do not have the opportunity to experience those work conditions, given the numbers of students in a typical classroom and class period time restrictions. Even…

This study explores a fourth grade classroom, hypothesizing about the possibilities for using drama to teach elementary school science. The case study provides one with the author's first glimpse into a fourth grade science classroom, as well as a preliminary examination of whether or not room exists for drama in the elementary science classroom.…