This article describes ideas that came out of two workshops from a statewide Institute in Hawaii, comprised of sixty-five teaching artists, that focused on analyzing best practices. These were collaborative curriculum design workshops that yielded provocative and inspiring theoretical and practical ideas. In the first workshop, small groups of…

Stories in the "ALT/Space" section of each issue of "Teaching Artist Journal" illustrate and document a wide variety of topics surrounding the work of teaching artists while simultaneously revealing some larger truths about what it means to be an artist who teaches. This particular section focuses on the process and realities…

During discussions with students the author often says, "I ask questions because I wish to know what you think. I already know what I think." Recently, he has taken his own advice, in a way, and has carefully considered what he does think and how those beliefs shape and are shaped, by his practice. Several questions with the author's answers are…

As the moniker "teaching artist" embeds itself deeper into the lexicon, it seems time to examine subsets of the appellation and provide finer, subtler definitions. Each of those included in this article has arisen in answer to specific needs or desires of schools, programs, teachers, institutions, and communities. Each has also informally earned a…

In this article, the author talks about the "December 7, 1941 Project," a partnership between Honolulu Theatre for Youth (HTY) and a local elementary school. The project brought together 4th and 5th grade students and teachers with community elders, artists and parents, using oral history and drama education to investigate memories surrounding the…