Despite the good intentions of art educators to have students seek and represent knowledge and consciously use language to describe what they see, the things educators think they should see and the signifiers that come out of their mouths (and through their bodies) always reveal that there is something else going on--between them, the teachers,…

Against the backdrop of objective and subjective violence, two contemporary artworks are interpreted through theories of the Other. Zhu Yu's "Eating People" (2000) is considered through Lacanian psychoanalytic theory and, in particular, through an Ethics of the Real. Teemu Mäki's "My Way, a Work in Progress" (1995) is…

This study examines visual dimensions and pedagogical repercussions of the war of terror. Iconographies of threat and prophylaxis are explored through a discussion of the actuarial gaze and the terr(or)itorialization of the visual field. Specific visual culture fallout from the war of terror is examined, including artistic responses and…

Why is there so much anxiety around the possible loss or the "striking through of aesthetics" in art education (Kamhi, 2007; Lankford, 2007)? And, why have some scholars (Duncum, 2008) gone to great lengths to argue that there is no concept of more import to the field of art education than aesthetics? While precise answers to these questions are…

Hauntology refers to spectral traces, phantom voices, and palimpsestic discourses that help construct a way of understanding ourselves and acting in the world. This essay explores the hauntological shifts within art education's struggle over popular (visual) culture through a review of positions that view popular culture as an embodiment of…