Peer reviewedERIC Number: EJ668991
Record Type: CIJE
Publication Date: 2002
Pages: N/A
Abstractor: N/A
Reference Count: 0
ISBN: N/A
ISSN: ISSN-1071-4413
Reggae, Ganja, and Black Bodies: Power, Meaning, and the Markings of Postcolonial Jamaica in Perry Henzell's "The Harder They Come."
Gaztambide-Fernandez, Ruben A.
Review of Education, Pedagogy & Cultural Studies, v24 n4 p353-76 Oct-Dec 2002
Examines the film, "The Harder They Come," asserting that narratives constituting the supposedly subversive representation of Jamaican society contribute to mis-recognition of the white Jamaican ruling class and its dominating role that the film portrays. This movie helped mobilize a nationalist political process that included black, working class, and white Jamaicans and presented a new Jamaican imaginary to the world (which began the rapid spread of reggae). (SM)
Descriptors: Blacks, Cultural Awareness, Films, Foreign Countries, Musicians, Nationalism, Racial Relations, Whites
Taylor & Francis, 325 Chestnut St., Philadelphia, PA 19106. Tel: 215-269-0400.
Publication Type: Journal Articles; Reports - Descriptive
Education Level: N/A
Audience: N/A
Language: English
Sponsor: N/A
Authoring Institution: N/A
Identifiers: Jamaica; Jamaicans; Postcolonialism; Reggae


