Contends that emergent developmental sequences are energized in a continuous interaction with environmental influences. Asserts that a developmentally and individually appropriate curriculum is sequential and matched to the naturally emerging developmental sequences of the child. Proposes four research emphases for the 1990s. (CFR)

Contends that, as a social enterprise, music education constitutes a dyadic relationship between student and teacher. Concludes that, although a satisfactory conceptual framework for empirical research does not exist yet, there is a basis for dialogue about the nature of musical participation. (CFR)

Reports on a study of 10 preservice music teachers' ability to self-analyze videotapes accurately for teacher effectiveness and teacher intensity behaviors. Compares two classroom observation forms. Finds that significant improvement in teacher intensity occurred over the course of four lessons. (CFR)

Bases a music participation theory on findings in music education, ethnomusicology, and sociology of leisure. Posits six types of music participants: professionals, apprentices, amateurs, hobbyists, recreationists, and dabblers. Distinguishes each type by theoretical variations in cost-benefit relationships as perceived by participants. Discusses…

Urges that research in elementary music education focus on discovering better ways of teaching and learning music and that findings be incorporated into the curriculum. Suggests questions for research, including when should abstractions be taught? what aspects of singing can be taught? and do all children listen similarly? Recommends replication…

Discusses research literature dealing with measurement of solo instrumental music performance. Compares the Watkins-Farnum Performance Scale with facet-factorial and other rating scales. Covers acoustic analysis and evaluation of tone, loudness, and pitch. Includes discussion of computer-assisted acoustic analysis and instrumental evaluation.…

Presents research findings regarding motivation's role in music education. Explains that students in grades five through eight provided reactions to a fictitious band student's experience with failure. Reports that many respondents believed that the student would perform better, try harder, and receive the teacher's and fellow students' support in…

Reviews research literature published between 1957 and 1990 regarding the musical involvement of the elderly. Divides studies into works dealing with (1) musical aptitude, (2) musical preferences, (3) music programs for older adults, and (4) the aging voice. Cites the enormous and growing quantity and quality of research on the subject. Identifies…

Presents results of a study of the effects of advance organizer instruction on preschool children's learning of the musical concepts of dynamics, pitch, tempo, and rhythm. Reports that three modes and three methods of presentation were evaluated. Concludes that, although results did vary with mode, the method of presentation had no significant…

This publication contains a selection of science education research papers, beginning with an overview of trends in science education cognitive developmental research and theory in the United Kingdom. Papers that follow focus on developments in studies of thinking and reasoning, including work on concept mapping and conceptual change. Closely…

This publication contains a review of trends in research over the past decade followed by 24 studies focusing on cognitive structure, instructional strategies, curricular issues, and attitudes. Among the specific areas investigated are: concept maps as reflectors of conceptual understanding; equations, translations, and number skills in learning…

This publication contains studies which focus on students' science concepts and the alternative frameworks they use to interpret natural phenomena. Among the specific areas investigated are: conceptions held by Year 11 chemistry students about stoichiometry; how some 9-year-old students interpret the word "solid" to mean hard, unbreakable,…

Maintains that creative work is sensitive to the social context of the creator. Reports on a nine-month study of how peer social processes influenced children's creative activity in three fifth-grade classes. Finds that variance appears to be related to the structure of the work process established by teachers and students. (CFR)

Provides a systematic analysis of the music program of a private elementary school in Brazil to demonstrate the comprehensiveness of the systematic approach as applied to educational organizations. Discusses implications for both the planning of the structure of music education and for the teacher's individual planning. (CFR)

Maintains that there is controversy in Russia about the need for courses in philosophy and science in music teacher preservice education. Describes the contents of a course titled, "The Principles of the Methodological Culture." Provides three results of the course, particularly relationships between cross-disciplinary planning and teaching. (CFR)