Reviews theoretical frameworks and psychological processes underlying the perception and cognition of musical understanding. Suggests unifying ideas and processes based on a developmental learning framework applied to teaching methods and curriculum. Supplies six guidelines for music education practitioners who are sequencing learning activities…

Discusses issues related to humanities and fine arts education. Reports on a study of parent attitudes about arts education in eight elementary schools. Argues that teacher education programs should prepare preservice art teachers to be able to develop arts education curricula to meet the needs of individual communities. (CFR)

Reviews issues related to preservice teacher education in dance. Asserts that the development of national standards in arts education has led to a consensus on teacher education. Maintains that, for the first time in U.S. educational history, dance is included in the fine arts curriculum, rather than in physical education. (CFR)

Describes a teacher education program in which preservice music teachers observed music classes and kept a weekly journal. Maintains that collaborative efforts involving preservice teachers, classroom teachers, and teacher educators can lead to a successful preservice education program. (CFR)

Asserts that multicultural music education and new developments in educational technology are two major issues in contemporary music education. Argues that decisions will have to be made not only about what music should be added to the curriculum to achieve multicultural goals but also what music must be eliminated. (CFR)

Describes the theater arts teacher education program at the University of Kansas, Lawrence. Asserts that "connected teaching," in which individual teachers and their students are colearners, forms the foundation for the program. Includes an appendix listing current Kansas standards for certification of drama teachers. (CFR)

Asserts that art teachers must understand current learning theory and implement new cognitive concepts to provide the best art education for K-12 students. Reviews major ideas in cognitive learning theory, focusing on the idea that thinking is domain, or content, specific. (CFR)

Responds to Arthur Efland's analysis of the relationship between current theories of teaching and learning and preservice art teacher education. Asserts that the cultural pluralism of today's schools is a significant factor in curriculum planning for art education. Discusses three characteristics of successful art teachers. (CFR)

Discusses current educational trends and relates them to preservice art education. Reviews research in art education and dance education and makes suggestions on qualifications and certification for dance educators. Provides 10 recommendations for dance education and the preparation of dance education teachers. (CFR)

Examines the complexities of doing collaborative action research by presenting examples of research efforts on a continuum. Describes the progress from university domination of research to practitioner-directed action research conducted by teachers. Includes a figure illustrating a continuum of approaches to collaborative research. (CFR)

Maintains that most of the questions that have concerned arts educators have remained basically the same. Contends that issues of cultural pluralism have been added to these questions. Presents and discusses issues of art and music education in New York City and the role of action research. (CFR)

Reports on the effects of expressive variation in dynamics on the musical preferences of 45 middle school students. Finds that students preferred the expressive version of 10 folk songs. Concludes that expressive interpretation and performance may stimulate a wide range of positive student responses. (CFR)

Reports on a study of the effects of an aural-oral pitch matching training program on aural pitch discrimination among 96 sixth-grade string students. Finds that the students who used the TAP Pitch Master Machine made statistically significant gains in pitch discrimination. (CFR)

Reports on a study of high school students' perceptions about the importance of academic and sociocultural factors to their participation in college level music and the relationship of these factors to the higher education recruitment process. Finds significant differences related to race, years of experience in a musical group, grade level, and…

Addresses the validity of the Cognitive-Affective Response Test-Music by clarifying the theoretical assertions on which the construct validity of the instrument rests. Presents nine specific assertions and data from two studies. Concludes that the test is valid for college-bound high school students. (CFR)