Investigates the perceptions of selected college music faculty on multicultural music education, focusing on such issues as a definition of multicultural music education, whether or not it would benefit from hiring minority faculty, and its benefits and problems. (CMK)

Investigates whether or not students would be effective coevaluators of musical compositions, hypothesizing that participating in the evaluative process could be a valuable learning technique. Explains that third grade students created musical compositions in cooperative groups and describes the data collection methods, analysis, and results. (CMK)

Contains the published proceedings of "Multidisciplinary Perspectives on Musicality: The Seashore Symposium," held at the University of Iowa on October 16-18, 1997. Provides an overview of the symposium, identifying speakers' contributions to particular themes, and includes abstracts from 35 speakers. (CMK)

Examines the impact of the voluntary national standards on college and university music teacher education curricula using a mail questionnaire. Reviews the qualitative and quantitative data from the survey. The data generally show that the higher the school enrollment, the more likely the national standards would be implemented. (CMK)

Examines the development of music education in Hong Kong. Describes political, economic, and cultural tensions in the context of the musical styles taught in Hong Kong secondary schools. Discusses the historical context, content/structure, and control of musical knowledge. Offers a model of music as a social construction. Includes references. (CMK)

Discusses the content of the Council for Research in Music Education (CRME), noting sections on dissertations available for review, dissertations in progress, and test files. Summarizes the literature review conducted to inform the CRME website design and the inclusion and presentation of materials. (CMK)

Presents a study that identifies some concepts involved in the cognitive modulation of naturalistic Musical Performance Anxiety (MPA) episodes among undergraduate music students and elaborates an alternative to psychological apprehension in regard to MPA. The research was exploratory and consisted of eight case studies. Data were collected and…

Examines compositional strategies and musical creativity of 38 seventh-grade students in junior high schools in Seoul (Korea) when composing with staff notations (traditional group) versus graphic notations (non-traditional group). Finds that musical creativity levels were judged to be significantly higher in the non-traditional compositions. (CMK)

Relates a pilot test of an elementary band method book for group instruction in Brazilian music education. Focused on the amount of content taught within three one-hour classes per week and studied the quality of learning. Concludes that the group covered 17 pages of the book, learned outside material, and performed four concerts. (CMK)

Explores a tentative typology of young children's invented notations proposed in a previous study transferred across another group of musically naive kindergarteners. Extends the previous study by including notation of known and original song material. A modal dissonance was found in the children's notations of known and original songs. (CMK)

Investigates music teachers' everyday conceptions of musicality through (1) a pilot study involving music teachers in higher education and (2) interviews with teachers in music teacher education and in compulsory school. Finds in the pilot the categories of musical achievement, musical experience, and musical communication, while the interviews…

Investigates whether the language characteristics of Northern Sotho and English song-texts have any effects on children's singing pitch and whether there are any differences between the Sotho- and English-speaking children's singing pitch. Demonstrates differences in children's singing pitch due to the languages of song-texts and linguistic…

Traces the rise of creative music making in schools in the United Kingdom through the history of a subject association, Musical Education of the Under-Twelves. Focuses on the progressive ideas voiced at conferences that linked child-centered notions to musical creativity and provides an account of the practical models presented. (CMK)

Uses journals to record perceptions of student teachers of music during a pre-service teaching experience and determines factors that strongly affect perception. Indicates that expectations and evaluations were lower for students teaching at the elementary level when it was their second placement. (CMK)

Examines possible musical and sociocultural influences on decision-making by untrained 8- and 9-year-olds during open-ended, non-notated composing tasks through a classroom ethnography. Uses one of the 21 child-composers participating in this study as an illustrative case. Discusses the results and implications for teachers and researchers. (CMK)