Questions the educational value of the traditional high-school play. Argues that the traditional school play upholds mainstream American culture through a process of patriotism and exclusion of minority groups as well as mainstream theatre. Recommends the use of non-mainstream theatre practices such as devised drama as an alternative to the…

Summarizes the different spheres of drama and theatre activities in Hungary. Outlines the history of drama teaching in Hungary. Describes the achievements and problems of the present, such as the place of drama in the curriculum and help that benefits Hungarian speaking teachers elsewhere. Provides a short overview of the youth theatre of the…

Discusses problems that arise in evaluating social participatory art. Contends that concentrating solely on the social policy function during project development can have the effect of drying out the artistic content of the work. Proposes that evaluation processes are needed, but they must evolve from the structures of the projects and the needs…

Discusses two articles related to the question of what is the nature of research in the actor-training context, where that training includes a major skills-acquisition component. Contends that one of the problems of interdisciplinary approaches is that while analogy may seem to illuminate a targeted disciplinary field such as teacher training,…

Describes the basic characteristics of the "carnivalesque enactment" and its therapeutic potential. Explains a case study of the drama project at the Rabin Children's Medical Centre, how the carnivalesque enactment was developed step by step, and the kind of effect it stimulated among the children. Suggests new theatrical experiments with…

Describes the Community Arts and Education Partnership, a community-system arts and literacy program for students at all grade levels. Notes that in this program, professional community artists and generalist classroom teachers delivered a sequential, integrated curriculum to over 500 students of diverse ethnicities. Concludes that literacy gains…

Investigates ways in which both overt and "borderline" forms of theatre at heritage sites may enhance the education of casual visitors and schoolchildren. Examines two different types of "living history" projects: Plimoth Plantation (Massachusetts) and the work of the Young National Trust Theatre in the U.K. Argues that the deployment of widely…

Notes that Howard Gardner's theory of Multiple Intelligences (MI) has afforded support to educators and parents who want to see their children as equals no matter in what area of ability they develop competence. Explains the usefulness of Gardner's approach, based on Kantian notions of the power of mind to give order to the world. Discusses the…

Discusses metaphorical languages of acting commonly to be found passing as "psychological" perspectives. Contends there is a need for greater scientific rigor in the use of such languages. Explains the issue of operationalisation of acting for research purposes. (PM)

Contends that experimental drama interrogates the schism between the actor's real self and her/his playing of a stage role. Explores connections between experimental theatre practice and progressive educational work, through examples of drama and performance work in two Welsh adult education contexts. Discusses some of the pedagogical and wider…

Discusses theories of aggression and questions commonly held assumptions regarding the link between violence and anger. Examines the link between strategies drama educators use and those utilized by counselors and psychologists. Considers whether the potential of drama-based programs might lie in the impact of shared engagement in the dramatic…

Explains the Higher Education Academic link, which promotes Theatre for Development in both the university and non-governmental organization sectors in Bangladesh. Highlights some of the most important and innovative issues which emerged from the link. Describes activities in the university sector which engaged students in practical workshops…

Discusses the background of arts education policy in Taiwan. Explains that a new curriculum for arts and humanities gives drama a place in the national curriculum. Concludes that people in Taiwan are beginning to use drama as a teaching medium and to use drama as education. (PM)

Updating the 1920s notion of Anthropophagy developed to symbolize through cannibalistic ritual the process of cultural assimilation that influences art, this article examines issues of naming, describing, and representing contemporary Brazilian art. In the first part of the article, the work of four contemporary Brazilian artists recently…

Beginning with an understanding of visual culture as a postmodern discourse, this article argues for more focused attention to how visual culture presents a critical rethinking of subjectivity within art education. Through an analysis of a language of bombardment, a discourse that positions the subject as bombarded by media messages, this article…