This paper discusses research into the facilitation of academic writing for first year dance students using images, emails and the forum of a Virtual Learning Environment (VLE). Taking place over several weeks in the early part of the academic year and within a core module entitled Personal and Professional Development in the single honours Dance…

Body image and self-esteem are examined through personal stories among Los Angeles college dancers who grew up in the Hollywood culture of the cult of slenderness. The study incorporates a body image survey, eating disorder screen, and an interview process capturing dancers' lived experiences with daily pressures. Dancers reveal their experiences…

This article introduces a phenomenological understanding of embodiment and discusses it in relation to a somatic approach to teaching dance. The nature of bodily knowledge is scrutinized especially through Maurice Merleau-Ponty's conceptions of perception, subjectivity, and intersubjectivity. The article offers insight into the relationship…

The General Certificate of Education (GCE) A Level Dance specification, offered by the Assessment and Qualifications Alliance (AQA), is the only GCE course of study in the UK that focuses solely on dance. Acquisition of subject specific knowledge is a feature of its aims, while assessment, as constructed by its objectives, is assumed to be a…

This article presents an analysis of higher education students' retrospective meaning making of their experiences of personal development planning (PDP). An earlier study of first year students had indicated that students rarely reflected on their own meta-cognitive processes and were preoccupied with practical study skill matters, particularly…

While the recent emergence of private schooling targeting socially and economically disadvantaged groups in India has been noted, the broader educational discourse in India conceptualises what have been termed here "low-fee private" (LFP) schools, as a loose collection of independent "teaching shops". Combining theoretical concepts from new…

Drawing on data generated via large-scale survey and in-depth interview methods, this article reports findings which show that being a student teacher in early-twenty-first-century England is a demanding personal experience which requires considerable engagement and commitment in the face of built-in challenges and risks, and which engenders, for…

Using multiple theoretical frameworks, reflective writings and interviews, this study explores preservice elementary teachers' emerging identities as science teachers and how this identity is connected to notions of critical agency and a stance toward social justice. The study addresses two central questions pertaining to preservice teachers'…

In recent years there has been a remarkable proliferation of ballet competitions. This prompts a number of questions, in particular how much are they affecting current training and performance practice and, more fundamentally, whether the notion of competition may be antithetical to dance as art. Underlying these questions is the issue of…

This article presents a historical, ethnographic and practice-based study of dance education in the Occupied Palestinian Territories. The concepts of dance learning, hegemony and counter-hegemony are analysed in the context of cross-cultural interventions in politically marginalized communities, and the theoretical concept of anti-hegemony is…

Regardless of geographical limitations, community partnerships can flourish through videoconference technology. This article presents iDance Arizona (iDA) research as a tool for supporting the teaching and learning of dance in rural settings. This research focuses on university/K-12 collaborations and examines the pedagogy of videoconferencing in…

Although the technological methods in which dance artists create, develop, document and present their work have grown significantly over the past two decades, technology education in undergraduate dance curricula in the US often remains peripheral. Some dance programs in higher education, especially those with graduate programs, now include a…

Beginning with the theory of cultural embodiment, this paper suggests that the work of some contemporary choreographers, because of the use they make of their cultural backgrounds, inhabits "in-between" spaces. Cultural embodiment, it is suggested, leads to the choreographer's absorption of movement as a source of historical information and an…

This paper examines two improvisational processes, Authentic Movement (AM) and automatic drawing (AD), the possibility of their presentation to the viewer and the meanings such presentation may bring to the work presented. Improvisation has traditionally been used in the process of creating a finished work of art rather than in the finished art…

This essay narrates the biography and dance aesthetics of Myra Beltran, a pioneering, independent and contemporary woman dance artist in the Philippines. Featured here are the history, alternative aesthetics, philosophy, and influences of Myra Beltran's works. It comes from the point of view of an author who is also a woman, dancer, and writer…