Since the end of the 1980s in the NIE4--Hong Kong, Taiwan, South Korea and Singapore--in Asia, progressive cultural and educational policies have developed along with tremendous economic growth, and a belief in the value of cultivating excellent human resources has provided the fertile ground to plant the seeds for Drama Education and Applied…

In Detroit, the creative impulse to work in and around sites of ruin presents both aesthetic and ethical dilemmas. Creative practices that make use of ruined sites in the city are controversial to the extent that they present aesthetically attractive representations of real, unresolved social and environmental problems. This article examines the…

Foucault's "technologies of the self" provides a frame through which to review the way in which different drama conventions work to govern the knowledge of the self that can be represented through the drama. The "Learning Partnerships" workshops provide the field site for the study. These workshops position high school drama students as coaches…

For many prospective teachers of drama, passion for their subject is a highly motivating force. In this paper I seek to shed light on the process by which personal constructs of drama as a subject are transformed during a period of teacher education, and answer key questions about the ways in which drama student-teachers develop their pedagogical…

This paper discusses the use of applied drama within the microblogging platform "Twitter" as a method to increase students' social media and news literacy. Online news sites are increasingly using "Twitter" as a source for eyewitness accounts of events or public opinion. "Twitter" offers users a simple way to publicly broadcast or "tweet" about…

This paper explores the design of virtual and physical learning spaces developed for students of drama and theatre studies. What can we learn from the traditional drama workshop that will inform the design of drama and theatre spaces created in technology-mediated learning environments? The authors examine four examples of spaces created for…

Applied theatre often draws upon critical pedagogy and constructivist methodology as a way to bring participants into direct engagement with their own learning experiences. As learners, adults bring a wealth of perspectives that further affect how they interact with an applied theatre experience. "Drama for Schools" (DFS) is a professional…

In drama-oriented English as a Foreign Language (EFL) classrooms, teachers often ask questions to shape the story, unveil the details, sequence the scenes, create a beneficial linguistic environment to elicit student output and promote meaning negotiation in the target language. This study investigates how instructional goals were achieved in an…

This paper describes a research project designed to find out what happens when process drama strategies are applied to an advanced level of additional language learning. In order to answer this question, the author designed and facilitated six process drama workshops as part of a third-year course of Italian at a university in Brisbane, Australia.…

This article reflects on outcomes of a playmaking project conducted with 14-20-year-old urban students in the USA. The playmaking experience was part of a larger research project designed to facilitate students' understandings of the ways in which their own experiences of discrimination are reflected in pervasive inequity at the societal level,…

Ensemble-building is a practice within drama education that is understood to be a powerful metaphor for democratic living. However, this ongoing work in classrooms also demands that teachers understand and enact a broad, interrelated range of knowledge, skills, and values that support participants' encounters with conflict and representations of…

The article's main concern is to analyse theoretical and artistic factors influencing the attempt by a group of undergraduate students (at the University of Warwick, UK) to produce a "performative mapping" of the city of Venice. In other words, it asks what kind of performance-based strategies might usefully be applied in the process of…

This paper illustrates research on the effects of "process drama" to enhance intercultural awareness for learners of Italian as an Additional Language. To validate the potential synergy between "process drama" and intercultural language learning, I created six "process dramas" to explore some contemporary Italian socio-cultural issues, as part of…

In this article I attempt to interrogate some of the issues around the assessment of live work. I use a range of theories, particularly Ranciere's notion of the "aesthetic regime" of art, to suggest a three-pronged ontological approach to assessment that seeks to avoid the dangers of Bourdieu's and Passeron's concept of reproduction, and which…

When we speak of quality in drama education, we apply different educational and aesthetic criteria. For example, improvised drama practices such as process drama, are closely associated to John Dewey's constructivist philosophy. What makes a drama qualitatively "good" within such a framework differs radically from criteria that are familiar in…