This paper offers a brief reading of the history of theatre education and applied theatre as a way to reflect on the principles and values that have informed their development. It argues that a critical genealogy of this history suggests that theatrical experiments in educational and community settings have always responded creatively and…

This paper examines an education programme devised by the New Zealand educational theatre company, "Everyday Theatre," which offers a fictional representation of family abuse. The paper raises political questions about the dramatic representation of the family as a social system, and examines how the boundaries between private feelings and social…

Focuses on the first production of Edward Bond's play "The Children." Discusses Bond's interest in theatre in education and assesses the significance of his dramatic writing for young people. Examines the experiences of the young people in the first cast of "The Children" and the perceptions of the teachers who facilitated the project. (SG)

Explores a key concept in drama education, that of trust. Aims to demystify the practice of trust in relation to drama education. Challenges the history of liberal thought, which regarded all sentiments as equally morally trustworthy. Argues that trust is dependent on context and is continually negotiated and re-negotiated in action, as a…

Describes a collaborative piece of theatre made by members of Headway, a charity working with head-injured people, and students and staff at Parkside Community College, an 11-16 school in Cambridge, England. Considers how the piece employs multimodal forms of expression and representational resources to challenge the invisibility of disability,…