In this paper, we discuss findings from a recent academic development project in which we engaged with students in an exploration of "how" they think and "what" they think about in the process of creating solo-authored choreography. The project emerged from a revisiting of the reflective frameworks identified in the validation…

Dance has been a discipline in higher education in the UK for nearly 35 years; the first programme was introduced at the Laban Centre in 1975. The breadth of features that have come to characterise dance in the academy during this time have arguably been enriched by a permeability between the varied ideas that have come to be part of its maturing…

This paper traces an experience of designing and conducting qualitative research in dance education. The primary aim is to highlight the importance of giving consideration to research methodologies in the emergence of personal research practice. Making decisions about what method/s to use will ultimately direct the engagement with any study,…