This paper is concerned with the craft and pedagogy of contemporary classical composition, starting with an examination of French pedagogy as I received it from Darius Milhaud and Nadia Boulanger in the late 1950s. I discuss their different points of view (briefly the global approach to composition vs. what might be termed the molecular), the…

This essay explores the role of music composition within the curriculum of a typical small liberal arts college and the faculty composer's role(s) in facilitating the study of composition. The relationship between composition and campus performance is discussed, particularly in light of the increased emphasis on performance in formerly all-male…

When women take up the work of music education, of the university, and become nomadic, engaging Deleuze and Guattari's war machine, all kinds of things happen. As nomads in music education, women traverse borders and boundaries that would otherwise limit and constrain them as they initiate alternative possibilities related to teaching and learning…

This article describes how admissions auditions at schools of music may demonstrate and participate in what critical race theorist, Gloria Ladson-Billings, calls the full social funding of race. Julia Eklund Koza argues that the construction of musical difference, which is an effect of power and is accomplished by the materialization of styles of…

It is important to create a framework in the education of professional musicians, whether these musicians are students of music education, performance, composition, musicology, ethnomusicology, or conducting, in which the political dimensions of their lives can be critically examined. Lise Vaugeois argues that creating such a framework would…

A reply to Bennett Reimer on the teaching of philosophy to K-12 students is presented. The author of this article poses two problems linked to pedagogy and philosophy in undergraduate teacher preparation. First, philosophy in undergraduate teacher preparation tends to be decontextualized. They have both practical and research based evidence to…

In this response to Gould, the author has two goals: first, to forward another, not necessarily competing, postmodern understanding of feminism and power; and second, to expand Gould's project of examining professional climate. Koza defines feminism as a constellation of dynamic political positions that address and attempt to change the unequal…

In this response to Gould, the author, a music education professor, acknowledges both the significant challenges that need to be overcome for future women university band directors, and the need to continue to encourage instrumental music education students (both male and female) to pursue their professional dreams and goals. He thanks Gould for…