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| Music Educators Journal | 2113 |
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Showing 946 to 960 of 2,113 results
Peer reviewedJordan-DeCarbo, Joyce – Music Educators Journal, 1986
Edwin Gordon took the sequential levels of learning outlined by Gagne and adapted them to audiation (the ability to hear music for which the sound is not physically present) and musical learning. His method of teaching music is discussed. (RM)
Descriptors: Classroom Techniques, Educational Philosophy, Educational Practices, Educational Principles
Peer reviewedMead, Virginia Hoge – Music Educators Journal, 1986
Since the early 1900s, the influence of Emile Jaques-Dalcroze has been felt worldwide in the field of music, as well as dance, theater, therapy, and education. To understand this influence, one needs to know something of his lifelong endeavors and dedication to improving the teaching of music. (RM)
Descriptors: Dance Education, Educational Philosophy, Educational Practices, Educational Principles
Peer reviewedKendall, John – Music Educators Journal, 1986
Suzuki believed that all human beings are endowed with remarkable musical ability and can learn to play musical instruments in the same way they learn to speak. The Suzuki method of teaching music and its evolution in the United States are discussed. (RM)
Descriptors: Educational Philosophy, Educational Practices, Educational Principles, Educational Theories
Peer reviewedShamrock, Mary – Music Educators Journal, 1986
The active approach to music education known as Orff Schulwerk is described and illustrated. The history, theory, and present-day practice of this approach are presented. (RM)
Descriptors: Educational Philosophy, Educational Practices, Educational Principles, Educational Theories
Peer reviewedTurpin, Douglas – Music Educators Journal, 1986
Suggestions to help music teachers adapt the following teaching methods are provided: the Dalcroze method for dance class; the Kodaly method for instrumentalists; the Orff method for string players; the Suzuki method for instrumentalists; and the Kodaly method for chorus. (RM)
Descriptors: Dance Education, Music Education, Music Techniques, Secondary Education
Peer reviewedGrimes, Ev – Music Educators Journal, 1986
Ellen Zwilich was the first young woman to earn a doctorate in composition from the Juilliard School, and in 1983, she was the first woman to win the Pulitzer Prize for music. In this interview, she discusses many topics, including her music and what she looks for in an audience. (RM)
Descriptors: Audiences, Elementary Secondary Education, Music, Music Education
Peer reviewedKastens, L. Kevin – Music Educators Journal, 1981
Presents advice to the marching band director on music selection, instrument balance, musician warmup, rehearsal techniques, and band formations which will produce the optimal musical sound in a field show. (SJL)
Descriptors: Applied Music, Bands (Music), Guidelines, Higher Education
Peer reviewedMelillo, Judith F. – Music Educators Journal, 1985
Music In Our Schools Month (March) provides an excellent opportunity for music teachers to reach out beyond the school to new audiences, to people of all ages. For example, teachers can take music groups to retirement homes or ask parents and grandparents to become chorus members or attend rehearsals. (RM)
Descriptors: Community Education, Community Involvement, Continuing Education, Educational Needs
Peer reviewedShetler, Donald J. – Music Educators Journal, 1985
Preliminary research findings showed that infants who received systematic prenatal musical stimulation exhibit remarkable attention behaviors, imitate accurately sounds made by adults, and appear to structure vocalization much earlier than infants who did not have prenatal musical stimulation. This evidence could radically modify concepts of music…
Descriptors: Early Childhood Education, Educational Research, Music, Music Education
Peer reviewedBrand, Manny – Music Educators Journal, 1985
Music education for preschool children holds much growth potential for music educators. Parents should be encouraged to sing lullabies to their babies and to provide a home atmosphere rich with music. Music educators should serve as guides to parents in an effort to influence positively the musical development of children. (RM)
Descriptors: Child Development, Developmental Stages, Educational Needs, Infants
Peer reviewedTuley, Robert J. – Music Educators Journal, 1985
If music subjects are to maintain respect amidst a national atmosphere of accountability and a concern for basics, students' music performance must be evaluated. A pupil evaluation form is presented. Evaluated are music skills, concepts, student participation, student conduct, and unique contributions. (RM)
Descriptors: Basic Skills, Concept Formation, Course Evaluation, Elementary Secondary Education
Peer reviewedWilder, Bonnie G. – Music Educators Journal, 1985
Music programs can provide children with positive experiences with senior citizens. Described is a program in which fifth graders sang in a chorus with senior citizens at the latters' monthly luncheon meeting. (RM)
Descriptors: Intermediate Grades, Music Education, Older Adults, Program Descriptions
Peer reviewedCaissy, Gail A. – Music Educators Journal, 1985
Teaching music to the early adolescent is a challenging and sometimes difficult task. Characteristics of early adolescence are described, and reasons why some middle level music programs are not effective are discussed. Tips for tailoring instruction to this age group are presented. (RM)
Descriptors: Adolescent Development, Adolescents, Curriculum Design, Curriculum Development
Peer reviewedDorn, Charles M. – Music Educators Journal, 1985
The arts statement in the College Board's book "Academic Preparation for College" is discussed. The book recognizes the arts as a necessary academic area of study and defines the necessary arts competencies both for general college success and for advanced artistic study. Its suggestions should be adopted. (RM)
Descriptors: Academic Education, Art Education, College Bound Students, College Preparation
Peer reviewedGibbons, Alicia Clair – Music Educators Journal, 1985
Research shows that elderly persons have innate capacities for musical development and that those capacities are maintained with age. Successful, quality musical experiences can be created to meet the broad interests of the elderly. (RM)
Descriptors: Adult Education, Aging (Individuals), Educational Needs, Music


