Evaluating teacher effectiveness is not new in the United States. Stakeholders both in and outside education, ranging from the federal government to local school districts, have been exploring ways to increase teacher quality and quantify teacher effectiveness for years. The current trend, however, has increasingly included value-added data…

This response by Thomas A. Regelski was solicited to complement the lead article in this issue, "Toward Convergence: Adapting Music Education to Contemporary Society and Participatory Culture" by Evan S. Tobias. The author notes that many interesting and vital questions and alternatives that are often studiously ignored, overlooked, or taken for…

A primary difficulty with music performance assessment is managing its subjective nature. To help improve objectivity, rubrics can be used to develop a set of guidelines for clearly assessing student performance. Moreover, rubrics serve as documentation for student achievement that provides music teachers with a written form of accountability.…

This article offers a brief overview of the causes and manifestations of performance anxiety and suggests methods for professors to combat it in the studio setting. The topics of mentoring, physical and mental relaxation, dietary health, and imaging are explored. Primary source material is referred to throughout the article, so readers can easily…

In music education, current attention to student-centered approaches for learning affects our understanding of student assessment. This view to curriculum reform requires new perspectives for assessment. There is a need to move beyond the summative use of assessment to assign grades to examining the roles of assessment in supporting and enhancing…

Videoconferencing technology can create opportunities to offer music teachers specific feedback that is crucial to satisfying their developmental needs by providing direct impact on instruction through online ensemble clinics. (Contains 3 notes.)

Singers are sometimes plagued by an ongoing sense of anxiety that has the potential to negatively affect their work. This article addresses the issue of chronic anxiety as distinct from the more frequently considered topic of performance anxiety. Strategies are outlined to help teachers identify and address this problem in to order to help…

Excellent musical ensembles have a strong sense of communal identity among the participants. Because of scheduling challenges and performance priorities, it is difficult to build camaraderie during rehearsal time other than through music making. This article explores the processes, benefits, and challenges of implementing a writing component in an…

This article provides the rationale for effective music assessment that tracks individual progress across time and offers examples to illustrate assessment of a range of music-learning goals. Gauging progress across time helps students become more mastery-oriented, while showing more effort and positive attitudes. As instruction and assessment…

Educators are professionals. One important attribute of professionals is their constant quest for personal growth. Great music educators are lifelong learners who draw on a variety of sources to improve their expertise and effectiveness. In the first part of this topic, the author listed the primary purposes of student assessment, and focused on…

By using a Smart Board or other "smart" technologies, it has become possible to teach interactively with students. One of the hardest concepts for middle schoolers to understand is key signatures. The Smart Board has changed the way the author reinforces key signatures with all her students, beginners to eighth graders. In this article, the author…

This article encourages music teachers to consider the complexity of their students' cultural identities and the role these identities play in the formation of students' self-concept. The musical heritage students bring to the classroom may provide a rich foundation of experience for teaching and learning music. Readers are challenged to consider…

This article describes a music program in a prison where two preservice music education majors conduct a choir of the inmates. The mission of the choir, framed in the context of social justice, is to move beyond barriers to create communities of hope that restore, enlighten, and transform lives through music. It is an outlet for the inmates to…

There is a surprising lack of black and Latino musicians in major orchestras in the United States as well as in other venues for classical music. Similarly, many American high school performing ensembles reflect the same underrepresentation. This article examines the literature on race, socioeconomic factors, and urban teaching and provides…

This article describes a culturally responsive music curriculum through which students and teachers affirmed diverse stories of individuals present in our public school community. An arts-integrated curriculum project helped make learning more meaningful while concurrently creating a safe learning space for students. This grant-funded project…