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50 Years of ERIC
50 Years of ERIC
The Education Resources Information Center (ERIC) is celebrating its 50th Birthday! First opened on May 15th, 1964 ERIC continues the long tradition of ongoing innovation and enhancement.

Learn more about the history of ERIC here. PDF icon

Showing 151 to 165 of 2,113 results
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Gutoff, Olivia W. – Music Educators Journal, 2011
Music teachers have a responsibility to give detailed instruction on the regular cleaning of brass and wind instruments because of new, compelling research. Recent findings reinforce the importance of teaching proper instrument cleaning. Serious health consequences can be avoided by making instrument care an integral part of the educative process.…
Descriptors: Music Education, Sanitation, Diseases, Music Teachers
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Shuler, Scott C. – Music Educators Journal, 2011
Assessment is both essential and a potentially powerful positive force. Music teachers need to provide assessment evidence to survive in today's data-driven school environment. However, the more important reasons they must assess are to improve their professional effectiveness as teachers, to improve student learning, and to help them advocate for…
Descriptors: Evidence, Music Education, Music, Music Teachers
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Harrison, Eli – Music Educators Journal, 2010
The guitar is an extremely versatile instrument. It can produce complex chords and arpeggiated textures as readily as single-note melodies. In the twentieth century alone, it has appeared in a wide range of genres; classical, jazz, blues, rock, and bossa nova compose a partial list. The guitar is also a difficult instrument. Inconsistencies across…
Descriptors: Music Education, Musical Instruments, Reputation, Coding
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Koops, Lisa Huisman – Music Educators Journal, 2010
Music educators who value the teaching of music in cultural and social contexts face the issue of how best to teach a musical practice outside its home setting. Many curricular materials advocate careful attention to cultural context in order to present accurate musical practices, but teachers do not always have the time and resources, or perhaps…
Descriptors: Music Education, Music, Definitions, Music Teachers
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Schwartz, Emily – Music Educators Journal, 2010
Music education scholars and veteran teachers often assert that composition is an essential part of a child's participation in music, but like many music educators, the author was reluctant to include it as part of her daily beginning band curriculum. Time and money were limited, and she wanted to be sure to cover all the material that beginners…
Descriptors: Musical Composition, Student Projects, Grade 6, Nonprint Media
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Nicolucci, Sandra – Music Educators Journal, 2010
Satisfying and successful school concerts require an active, empathic, and cooperative partnership between performers and audience members. As music educators work to prepare artful, dignified, and confident performers, "audiences" for these performers must be cultivated just as purposefully. Concertgoers can be motivated to consume school…
Descriptors: Music Education, Music Activities, Audiences, Music Teachers
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Tanner, Chris – Music Educators Journal, 2010
In the past few decades, the steel band art form has experienced consistent growth and development in several key respects. For example, in the United States, the sheer number of steel band programs has steadily increased, and it appears that this trend will continue in the future. Additionally, pan builders and tuners have made great strides in…
Descriptors: Conferences (Gatherings), Music Education, Music, Musicians
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Townsend, Alfred S. – Music Educators Journal, 2010
The Connecting Parents with Learning Project (CPLP) is an attempt to involve parents in learning standards-based content along with their children. The CPLP can be especially effective in connecting with parents of different cultures because the children teach the parents. Furthermore, it removes the mystery of what the students are studying by…
Descriptors: Music Education, Music, National Standards, Cooperative Learning
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Criss, Ellen – Music Educators Journal, 2010
Physical education teachers and coaches of athletic teams are well aware of the values of strong team spirit, and they depend on cohesion among team members to successfully achieve their goals. "High-performing teams... do not necessarily have the best individual talent and ability available, which means that other variables--such as motivation,…
Descriptors: Communication (Thought Transfer), Music, Teamwork, Team Training
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Kindall-Smith, Marsha – Music Educators Journal, 2010
The study of music contributes to transmitting cultural heritage, learning self-discipline and teamwork, developing creativity and self-expression, developing multiple intelligences, engaging in problem solving and abstract thinking, and influencing academic achievement. Whether a performance has "musical meaning" at the core of music education…
Descriptors: Constructivism (Learning), Multiple Intelligences, Music Education, Music
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Nicolucci, Sandra – Music Educators Journal, 2010
This article focuses on the nature of the "transitional minutes" in "any" music class. When transitional minutes before, during, and after rehearsals and classes are unplanned and left to chance, much viable and valuable teaching time is lost. When transitional minutes are well structured, learning can proceed efficiently. One tends to remember…
Descriptors: Music Education, Music, Serial Ordering, Short Term Memory
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Koster, Keith – Music Educators Journal, 2010
Although music educators in training complete a battery of courses pertaining to the playing and teaching techniques of the instruments that will be found in their future classrooms, the intricate details of learning to play and teach the five Western woodwind instruments successfully are at times overlooked in teacher preparation programs.…
Descriptors: Music Education, Play, Music, Behavioral Objectives
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Standerfer, Stephanie L.; Hunter, Lisa R. – Music Educators Journal, 2010
For decades, music teachers have shared the dread of writing formal lesson plans, yet most know that planning yields better instruction. Why does this disconnect continue? The common argument that music teachers make is that teaching music is fundamentally different from teaching other subjects. Lesson plans are written to pacify supervisors and…
Descriptors: Curriculum Design, Music Education, Education Courses, Music
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Dell, Charlene – Music Educators Journal, 2010
String educators must find a way to strengthen the development of rhythmic abilities so that their students play with a steady beat and accurate rhythm. Perhaps it is not what they teach their students as much as the sequence of instruction they use to teach them. String educators teach rhythm only as it pertains to the instrument, either through…
Descriptors: Movement Education, Play, Musical Instruments, Music Education
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Bernard, Rhoda – Music Educators Journal, 2010
A great deal has been written about the challenges facing music educators who work in urban settings. The scarcity of instruments, textbooks, and other resources; a lack of parental and administrative support; and difficulties with classroom management are just a few of the issues that confront music teachers who work in urban communities.…
Descriptors: Classroom Techniques, Music Education, Urban Schools, Teaching Conditions
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