Hundreds of educators contributed to writing and reviewing the new National Core Music Standards over two years of development. Thousands more will find their professional lives shaped by these standards over decades to come. Three individuals involved in standards development explain.

This article looks at the iPad's role as a musical instrument through the lens of a live performance ensemble that performs primarily on iPads. It also offers an overview of a pedagogical model used by this ensemble, which emphasizes musician autonomy in small groups, where music is learned primarily through aural means and concerts are…

Between 2009 and 2014, thirty-seven states in the United States have adopted or significantly amended their teacher evaluation laws, mostly shifting toward using measurements of student growth on achievement tests. Yet, the processes to evaluate core subjects have not always transitioned smoothly to nontested or artistic content, causing some…

Teacher evaluation is a current hot topic within music education. This article offers strategies for K-12 music educators on how to promote their effectiveness as teachers through archival documentation in a teacher portfolio. Using the Danielson evaluation model (based on four domains of effective teaching practices), examples of music teaching…

Ensemble directors have a special interest in helping students learn to practice effectively. Practice is also an essential component of musical development. Music educators need to both teach effective practice strategies and guide students toward meaningful, thoughtful practice. Metacognition strategies are one way to accomplish this. Current…

Composition pedagogy is explored from the perspective of a composer and a music teacher educator in this article. The primary goal is to help practicing music teachers develop strategies that will encourage students to create original music. The authors provide reflection about the process of helping students compose on the basis of personal…

Differentiating music instruction can be done well with a bit of forethought and creativity. When strategically used, music educators can better meet students' needs and make great strides in individual and overall student achievement. A variety of K-12 choral, instrumental, and general music examples is included. (Contains 7 notes and 2 tables.)

The study of music contributes to transmitting cultural heritage, learning self-discipline and teamwork, developing creativity and self-expression, developing multiple intelligences, engaging in problem solving and abstract thinking, and influencing academic achievement. Whether a performance has "musical meaning" at the core of music education…

Paul Lehrman mentioned in Mix Magazine that school music programs, which traditionally have given students the precious opportunity to hear what real instruments sound like from both player's and listener's perspective, are in the toilet. Some within the profession have voiced similar concerns. K-12 music teachers have historically have had very…

Music educators understand the importance of the arts in schools. Other members of the school community--teachers, administrators, and parents--may share this view, yet be unaware of all that transpires in the music classroom once the door is shut. Music educators should consider how they can open their doors to help the community understand how…

MENC has recently, recapitulated its vision of "Music for All" in its strategic plan, which warns that "30 to 50 per cent of new teachers who work in urban areas leave the field in their first three years of service.'' This undoubtedly affects instrumental music instruction for urban children. Collegial sharing is one solution to problems…

The national shortage of music teachers in kindergarten through grade twelve is one of the most critical challenges we face in the entire field of music. It is not just a challenge to be met head-on by our teaching colleagues in America's elementary and secondary schools. It is a challenge that requires us all--at every educational level and…

Describes a strategy for teaching blues improvisation to beginning and intermediate level improvisation students. Focuses on three aspects of the method: (1) phrase structure; (2) dramatic shape; and (3) thematic development. Includes a bibliography of resources and a list of terminology. (CMK)

Focuses on the history of music education since the 1950s to present day. Examines the education reform and the changes in music education. Addresses how changes in society affected music education over the years. Discusses why music education is still successful and thriving. (CMK)

Focuses on how preservice teachers can develop their classroom management skills. Explains that teachers must improve their personal delivery style, knowledge, and accurate presentation skills. Addresses how to minimize off task behavior, time management, and meeting student needs. Includes a bibliography. (CMK)