This article is a review of literature detailing the 1923 origin of the phrase "Music for Every Child; Every Child for Music" and tracing its use in music education periodicals through the next nine decades. By delving into the now century-old archives for "Music Educators Journal" to research the historic declaration of Karl…

As "Music Educators Journal" celebrates its centennial, it is appropriate to look back over the past century to see how advocacy in music education has evolved. Of the more than 200 submitted articles on advocacy, four main themes emerged: music education in community, the relevancy of music education, the value of music education, and…

An expanding body of evidence based on cognitive neuroscience provides music teachers with information about the interaction of music instruction and brain development. This information is foundational for those interested in the biology of teaching in addition to the curriculum taught. Pedagogy can be grounded in research-based insights on how…

In his book "Teaching Music in the Secondary Schools," Charles Hoffer reported a lack of consensus among music educators when considering the essential components of a middle-level general music course. Today, this condition persists. The increasingly diverse nature of students and schools makes a singular, model curriculum for middle-level…

Musicians practice to build endurance, flexibility, and dexterity. They practice to maintain good performance, to sight-read better, to memorize, and simply, to enjoy music making. There are other motivations for practice, but one, more than others, is a catalyst for consequential change in musical development--practicing to solve performance…

Music educators are interested in how students learn music performance skills. In this way, music teachers have something in common with certain music psychologists who study how musicians become expert performers. These researchers work with highly skilled musicians to learn what factors have contributed to their achievement in performance.…

This look at the impact of microelectronics on computer-assisted instruction (CAI) in music notes trends toward new applications and lower costs. Included are: a rationale for CAI in music, a list of sample programs, comparison of five microelectronic music systems, PLATO cost projections, and sources of further information. (SJL)

The 1967 MENC symposium at Tanglewood advocated the inclusion of popular music, along with the classics, in the general music curriculum. The author looks briefly at how well this recommendation is being implemented and discusses the benefits of using popular works in music instruction. (SJL)

The authors review current brain hemisphere laterality research in relation to music education, concluding that evidence is still insufficient to determine the functions of the left brain and right brain in music perception. They also consider the effects of training on the cerebral processing of music stimuli. (SJL)

What music research can tell teachers about strategies to use to help students learn to like classical music is discussed. For example, research has shown that music teacher's verbal approval significantly increases students' listening to classical music. Also, choices of musical examples is critical. (RM)

Anxiety assessment research based on the trait-state anxiety theory suggests that musicians should not reduce anxiety in performance. A reduction in anxiety levels, especially for musicians with extensive formal training, may actually diminish performance quality. Musicians with low task-mastery skills might consider taking more formal training.…

Meaningful learning occurs through personal encounters with the music, rather than through verbal substitutes. Evidence, including research, that learning by doing is a valid and realistic premise for designing general music curriculas and lesson strategies is discussed. (RM)

Studies that have questioned how children best demonstrate their ability to discriminate pitch are discussed, and practical applications of the findings are examined. One specific performance-based response that is not necessarily a good indicator of ability to discriminate pitch is singing. (RM)

Summarizes five articles from the JOURNAL OF RESEARCH IN MUSIC EDUCATION which deal with various aspects of the history of American music education. Articles include "Revisionist Historians: Writers Reflected in Their Writings"; "A Comparison of Syllabic Methods for Improving Rhythm Literacy;" and "Edgar B. Gordon: A Pioneer in Media Music…

Reviews studies on the etiology of monotonism, the monotone being that type of uncertain or inaccurate singer who cannot vocally match pitches and who has trouble accurately reproducing even a familiar song. Neurological factors (amusia, right brain abnormalities), age, and sex differences are considered. (Author/SJL)