Recommends that teachers write grants to obtain funds for using technology in music education. Explains that teachers should ask themselves two questions: "Who has funds to give and what do they require the recipient to do?" Provides a list of guidelines, a sample grant proposal, and information about the panel review. (CMK)

Stresses the importance for teachers to analyze their Intelligent Questioning (IQ) and Responding to Answers (RSA) scores. Provides three methods for measuring IQ and RSA: Flowchart for Asking Effective Questions, Questioning Observation form, and Flanders Technique of Interaction Analysis. Contends that by improving these teaching skills,…

This review of law and schooling focuses on student rights and the tort liability of educators. Federal legislation on special education and copyright is briefly mentioned. A bibliography on these topics is appended. (SJL)

This discussion of copyright law on music focuses on the special problems of the band director who wishes to make a special arrangement or alteration of a copyrighted work. Guidelines and a sample form are provided for securing the publisher's permission to arrange a musical work. (SJL)

In Anchorage, Alaska, classroom teachers are supported in their music teaching by resource teachers who provide in-service, regular demonstration lessons, and locally developed materials. This article describes the program's schedule, costs, and staffing, as well as the role of the music resource teacher. (SJL)

A wide variety of music-learning pursuits should be available to older adults based on their need, capabilities, and desires. Guidelines for developing and evaluating music programs for senior citizens are presented. (RM)

Factors that should be considered when choosing a music camp for students to attend are discussed. Questions that potential music campers and their parents should ask are provided. (RM)

A vital aspect of music education often left unattended in preservice education is testing and evaluation. Discussed are ways to measure musical achievement and aptitude and factors to consider when selecting a test for student evaluation. Recommended achievement and aptitude tests are described. (RM)

Presents several strategies for evaluating elementary and secondary music students. Includes an objective-based system in which students earn points for attendance, participation, and performance. Examines written evaluations, and points for progress, discussing evaluation as a teaching aid. Describes a "fair grading system" which evaluates effort…

Examines the importance of the cooperating teacher in the education and field experience of the student teacher in music education. Discusses the responsibility of the college to both the student and cooperating teacher, and recommends a five-step process through which the student teacher gradually develops independence in the classroom. (GEA)

Discusses how music educators can work to convince others of the importance of music in the curriculum. Includes suggestions for using objective data in stating a case to fellow teachers, administrators, parents, and others. (GEA)

Discusses the importance of being able to describe the subjective properties of music. States that educators must develop an aesthetic vocabulary to allow articulation of musical properties. Provides examples of descriptive vocabulary taken from representative music selections. (GEA)

Suggests the use of time-proven marketing methods to attract high school students to college music programs and keep them interested in the music program. Explores facets of the college and the program that draw students, including reputation, location, costs, and program content. (LS)

The author explains terminology and recommends components for a semiprofessional recording facility suitable to a school or small college music program with a limited budget. The recommended system costs approximately $13,000. Equipment prices and purchasing plans are discussed. (SJL)

The author suggests that the cooperating music teacher prepare the student teaching experience as a formal class, presenting the student teacher with a written syllabus and assignments. He discusses timing and procedures for the consecutive phases of the student teaching term: orientation, observation, practice lessons, and, finally, teaching…