Ideas for maintaining and advancing the K-12 music program during these times of tight money are described. (RM)

Oregon high school band directors worked out a set of state guidelines for high school bands. The guidelines, which comprise this article, contain rationales, expectations, and recommendations concerning athletic contests, marching contests, jazz ensembles, musical shows, parades, summer activities, and performances in general. (RM)

Traces the history of mainstreaming prior to and after the enactment of the Education for All Handicapped Children Act of 1975. Discusses the particulars of the law focusing on its least restrictive environment clause. Addresses the music educator's role in implementing the act. Includes school districts' responsibilities under the law. (RW)

Suggests greater emphasis on middle school music education, both as part of general education and of the curriculum's exploratory component. Argues that music can add emotion to social studies and promote learning in all subject areas through rhythm, rhyme, and repetition. Calls for student opportunities to explore instruments and composition. (SG)

Discusses school restructuring and how it can apply to music education. Includes changes in concepts of education, the movement toward accountability, and defining effective schools. Describes effective schools as those in which the basic skills of underserved students are at the same level as those of middle class students. (DK)

Discusses site-based management as a means of school reform. Emphasizes the advantages of such decentralization for music education. Compares the traditional approach with a reform alternative in terms of decisions affecting teaching, learning, school climate, and curriculum. Urges implementation of site-based management as a means of involving…

Discusses the benefits and effects of music teacher empowerment. Concludes that additional skills, knowledge, and professionalism will be necessary to successfully teach music in an empowered setting without losing sight of the students' larger interests. Urges that music education programs for training teachers be expanded to include critical…

Maintains that music educators have struggled for decades with issues related to a "multimusical culture." Contends that balancing the musical traditions of Western civilization and honoring the varieties of music of cultural subgroups is a major issue in contemporary music education. (CFR)

Maintains that senior citizens and children are at opposite ends of the time line, but have common needs. Contends that intergenerational music programs provide benefits to both. Describes a successful intergenerational program involving elementary-age choral groups and senior citizen groups. (CFR)

Asserts that since the middle of the 20th century the inclusion of world musics in music education programs has become increasingly important. Presents three rationales for teaching world music in the United States. Discusses two assumptions and implications for music educators regarding world music. (CFR)

Contends that an obsession for competition has permeated all aspects of society, including the artistic environment. Maintains that competition works against creativity and individual development. Recommends eliminating music contests and other competitive practices at the school and college levels. (CFR)

Contends that the growth of worldwide computer networks provides unprecedented opportunities for students and teachers to observe or participate in discussions on research in any field. Describes how the Internet has altered teaching methods and assigned student projects. Includes tables of Internet addresses related to music education. (CFR)

Offers ideas on how to develop a course on popular music. Notes the importance of obtaining prior administrative support. Identifies materials, techniques, books, films, and community resources. Suggests several classroom projects, incorporating popular music history and music activities. Lists books, periodicals, and videotaped materials for…

Considers the implications of discipline-based art education (DBAE) for music education. Recounts the historical shift in art education that produced DBAE. Identifies DBAE's characteristics. Explores the influence of the Getty Center for Education in the Arts upon DBAE. Urges further discussion of incorporating DBAE ideas into music education. (CH)

Summarizes discussions at a symposium of the Music Educators National Conference (MENC) of multicultural music education. Offers ideas about the teaching of African-American, Native American, Asian-American, and Hispanic music. Presents MENC's resolution supporting multicultural music education. Describes the symposium as a major event in…