A linguistic analysis of a prose text from Somerset Maugham's "On a Chinese Screen" is made under the following four heads: (1) Content and Organization; (2) Lexis; (3) Grammatical Structure; and (4) Typographical Features. (CFM)

It is proposed that speech rhythm, adapted to needs of written language, should constitute the basis of sound punctuation. It is the failure to recognize this principle that has led some writers to recommend a punctuation system that is mechanical rather than natural and meaningful. (CHK)

Shows how particular features of language are exploited for purpose of humor and reveals the general persuasiveness of incongruity as an element of humor. Features include polysemy, syntactic structures and meaning, deep and surface structure, hyperbole and metaphor, speech patterns, problems of communication, and connectors or linking words. (BK)

Demonstrates study of macrostructure of a story to show how this technique leads to a clearer understanding of its literal meaning and how it can give the reader a clue to its symbolic meaning. Suggests macrostructure analysis provides systemative and objective account of plot content and structure. (Author/BK)

The stylistic effects which may be achieved by a judicious use of the tenses" are seen to be the following: vividness, point of view, prominence, variety, and euphony. (FB)