Kimberly Huber's preliminary exploration of critical literacy is traced. The critical literacy project in which a complex set of literate practices taught the grade 2 and 3 children about power and the possibilities for local civic action is discussed.

Discusses how children's everyday literacies can be used in schools to connect popular culture with the language arts curriculum. Defines what the authors mean by the term popular culture, being careful to distinguish it from definitions ascribed to mass media. Shares some practical, classroom-tried ideas for integrating elementary students'…

Considers how a monolingual teacher supports linguistic diversity in a classroom of children who speak many different languages. Discusses teachers' attitudes about native language usage in school settings and addresses misconceptions about multiliteracy development. Presents 10 beginning ideas for monolingual teachers to foster multiliteracy. (SG)

Describes how a teacher helps children understand that endings do not just magically pop into their heads as they write the final words of their stories. Hopes to provide students with authentic revising sessions and to encourage them to assume the dual role of critical reader and thoughtful writer whenever possible. (SG)

Considers how educators from different disciplines create semiotic cycles of inquiry where teachers learn about the arts and through the arts. Believes that their students had to experience cycles of inquiry wherein they learned about the arts and through the arts, and that they needed to see teachers of different disciplines collaborate. Argues…

Considers how children can use tableau (a still, silent performance that involves three-dimensional representations) to move beyond language in developing new understandings about life and literature. Documents primary students' planning and variations in their interpretations of tableau based on a picture book. Concludes that theatre helps people…

Uses visual images to open up spaces for imagination and to encourage children to go beyond the familiar during writing workshop. Shares ways to engage students with looking at the visual arts in order to write. Reflects on September 11. Explores the possibilities of the aesthetic response. (SG)

Describes how a teacher researcher invited her students to be detectives on the lookout for language and to take a critical perspective on how it varies with each speaker, purpose, and context. Suggests that educators need to be careful about how they present language varieties so that their students appreciate them as more than "quaint artifacts…

Considers how nonfiction is the genre most likely to spur children's passion and wonder for learning. Describes how educators teach students that their best writing teachers are the authors they love, not the encyclopedias they need for beginning research. (SG)

Notes the author was unprepared for the generativeness of a curriculum driven by students' interests and curiosity. Describes the implications for the "Explorers Club," an activity in which her second-language-learning third and fourth graders generate lots of questions, pick the 6 best, and research answers to those questions at the library. (SG)

Compares the traditional view of science with the more multidimensional view outlined in science reform documents. Outlines different genres of science nonfiction trade books. Describes a science text set and how it is used to encourage both science inquiry and science literacy practices in a unit on sound and hearing. (SG)

Discusses how research comes alive when students explore a range of alternate genres instead of writing the traditional research report. Notes that multigenre writing helps most students grow as researchers, thinkers, and writers while they develop a fundamental understanding of the different purposes for which text can be used. (SG)

Describes a "dialogic" (Bakhtin, 1981) writing workshop that is responsive to the social priorities of children and that reconsiders dilemmas within an alternative framework. Notes that the experiences and tests of two writers in third grade highlight the way identity and sense of self can be developed and explored in a writing community that…

Describes how a teacher developed Reflective Fridays (a day with time set aside for reflective thinking, talking, and writing) as a way to support young children in using reflection as a learning tool. Considers ways to nudge students forward. Discusses different types of thinking. Concludes that the author's students have shown her that they…

Notes that reflection can support both teachers and students in the aftermath of a disaster. Examines the visual and written works of North Dakota and Minnesota children who were victims of the flooding of the Red River in 1997 as a representational way to gain a broad perspective on children's thinking about their experiences surrounding the…