A search for music research in inclusive music school settings (1975-2013) resulted in 22 descriptive and experimental studies that can be classified and coded according to settings, participants, research variables, measures of generalization, and effectiveness of the interventions. Half of the studies reported data from both students with…

Renowned around the world, schools within the municipality of Reggio Emilia, Italy, have inspired North American early childhood educators for over 25 years. Despite the popularity and usage of the Reggio Emilia approach in the United States, music educators may find it unfamiliar. There is a lack of research that has discussed the use of music or…

The purpose of this study was to establish trends in the study of music and affective phenomena through a content and bibliometric analysis of three eminent music research journals, the "Journal of Research in Music Education", "Psychology of Music", and "Music Perception", for the years 1990 through 2009. Excluding…

This article presents the transcript of Peter Webster's 2014 Senior Researcher Award Acceptance Address. Webster comments on several big ideas in music education: (1) The consideration of teaching as a blend of constructivist approaches and direct instruction that values student-centered work primarily as evidence of learning; (2) The…

This study is the first investigation of the nine-year history of the National Solo and Ensemble Contests, held in the United States in conjunction with the National School Band and Orchestra Contests of the late 1920s and early to mid-1930s. Primary sources used include letters from those involved with the planning of the contests, meeting…

The authors classified citations included in papers presented at 10 International Society for Music Education (ISME) biennial International Research Commission Seminars across an 18-year period (1988-2006) based on the six world regions as specified by the ISME Research Commission. Citations (N = 4,535) were examined from 238 papers presented at…

Investigates music teacher retention and attrition. Surveyed in the spring of 1995 certified teachers (n=225) with music education degrees earned in the past 10 years; 137 responded. Surveyed respondents six years later and found 34.4% no longer teaching. Cites personal reasons and administrative support as the primary sources for discontent with…

Evaluates the preservice music teacher preparation program at a large Big Ten university through the perceptions of beginning teachers, their mentors, and administrators. Gathers data using interviews, focus groups, journals, and classroom observations. Identifies the most and least valuable parts of the program. Provides suggestions for the…

Examines whether observers perceptions differ if they were informed of the proximal instructional goals than if they were not informed. Classifies music education majors written statements (n=120) after viewing one of three randomly assigned stimulus tapes. Found non-informed subjects wrote more teacher-directed, inferential, and positive…

Compares the Intermediate Ear to Hand Test melodic-imitation and tone-quality scores between students who played their teacher's major instrument and students who played a different instrument. Finds statistically significant higher scores on overall performance quality among students who played their teacher's instrument than among the other…

Assigned middle school and high school instrumentalists to listen and rate twelve performances: four without accompaniment, four with CD accompaniment, and four with piano accompaniment. Reports that CD accompaniment rated highest and piano the lowest. States that students consistently assigned the best feature and the aspect needing most practice…

Examines whether observers' perceptions of private lessons are affected by the type of teacher verbalizations used to make student performance corrections. Asks preservice music education teachers (n=50) to respond to a 10 statement questionnaire after viewing two videotaped private lessons. Finds no meaningful difference in subject responses…

Presents a study that investigates the effect of different melodic configurations on an Orff xylophone on how children compose and on the musical characteristics of their compositions. Focuses on fourth grade students (n=48) who lacked education in musical composition and who composed a song on the xylophone. (CMK)

Examines the effects that modeling, self-evaluation, and self-listening have on the music performance and attitudes about practice of junior high school students in the seventh (n=36), eighth (n=31), or ninth (n=15) grades who play woodwind, brass, and percussion instruments. Includes references. (CMK)

Presents a study that explored the relationship between music and nonmusic majors' real-time responses to a piece of twentieth century music. Explains that the undergraduate nonmusic majors and undergraduate and graduate music majors manipulated a Continuous Response Digital Interface dial. (CMK)