The purpose of this study was to examine correspondence schools of music in the early twentieth century. Advertisements in widely circulated household and music periodicals and archival copies of courses from Siegel-Myers Correspondence School of Music, United States School of Music, American College of Music, and others were examined. Research…

A search for music research in inclusive music school settings (1975-2013) resulted in 22 descriptive and experimental studies that can be classified and coded according to settings, participants, research variables, measures of generalization, and effectiveness of the interventions. Half of the studies reported data from both students with…

The purpose of this study was to document the history of music education at the New York Institution for the Blind (NYIB) from the opening of the school in 1832 through the tenure of the facility's first music director, Anthony Reiff. Research questions pertained to the school's origin and operation and to its music curriculum, pedagogy,…

The purpose of this study was to investigate nationwide enrollment in high school music courses from 1982 until 2009 to determine what trends in music enrollment existed and whether these trends were affected by the passage and implementation of the No Child Left Behind Act of 2001 (NCLB). With data from 10 separate nationally representative high…

This study is the first investigation of the nine-year history of the National Solo and Ensemble Contests, held in the United States in conjunction with the National School Band and Orchestra Contests of the late 1920s and early to mid-1930s. Primary sources used include letters from those involved with the planning of the contests, meeting…

Examination of the music opportunities available to students in the junior high schools of the early twentieth century lends historical perspective to current challenges facing middle level music educators. This article describes the specific music offerings at Lincoln Junior High School in Minneapolis, Minnesota, from the school opening in 1923…

The purpose of this study was to document the history of the National High School Orchestra (NHSO), a select ensemble organized by Joseph E. Maddy under the auspices of the Music Supervisors' National Conference during the 1920s and 1930s. Research questions examined the orchestra's (1) origin, performances, and operation; (2) instrumentation and…

This article presents an acceptance speech by Jere T. Humphreys, the recipient of the Music Educators National Conference (MENC) 2006 Senior Researcher Award. Humphreys discusses his observations about music education research in MENC's first and second centuries. Most of his observations focus on the present--the nexus of the two centuries: first…

Explains that labor songs were song parodies with lyrics frequently written by college students. States that labor songs were used not to teach about music, but about labor concepts. Reports that labor colleges taught singing and acting to prepare students to speak in front of large crowds. (DAJ)

Provides an examination of the Swiss-German music books in the Luther Whiting Mason-Osbourne McConathy Collection. Based on research undertaken to learn about music education in nineteenth century Switzerland and its influence on U.S. music education. (CMK)

Presents the life and work of Calvin Brainerd Cady, an influential U.S. music educator who developed a theory of music education that emphasized the unification of children's thoughts and feelings. Discusses Cady's educational practices in depth and how his work remains relevant to current music-education practices. (DSK)

Presents an overview of the teaching activities of Emma Azalia Hackley, an African-American concert artist, teacher, and author, who devoted much of her career to promoting music in black communities. Provides background information on music in the United States during the 19th century. Addresses connections between Hackley's work and contemporary…

Presents a case study focusing on the mill-supported Lindale Band in Lindale, Georgia in order to examine the influences of industry on instrumental music education in the U.S. South. Investigates the history of U.S. industrial bands and the philosophical parallels between industry and progressive education. (CMK)

Presents the history of the Illinois School for the Deaf (ISD) band from its inception in 1923 until documentary records end in 1929. Recounts the creation of the band within the context of the ISD, the nature of the repertoire, their performances, and public praise and criticism of the band. (DSK)

Identifies those women mentioned most frequently in general U.S. music education history books and examines the contexts in which the books discussed their work. Surveys individuals interested in music education history to determine name recognition of these women and opinions regarding the importance of their contributions. (MJP)