A search for music research in inclusive music school settings (1975-2013) resulted in 22 descriptive and experimental studies that can be classified and coded according to settings, participants, research variables, measures of generalization, and effectiveness of the interventions. Half of the studies reported data from both students with…

Considering the potential for stereotypes to shape professional expectations, the four researchers in this study investigated photographic representation of adult men and women in implied positions of authority in 50 years (1962-2011) of issues of "Music Educators Journal" ("MEJ"). Data included every photograph (N = 7,288) of…

The purpose of this meta-analysis was to determine the extent of the overall relationship between previously tested variables and sight-reading. An exhaustive survey of the available research literature was conducted resulting in 92 research studies that reported correlations between sight-reading and another variable. Variables ("n" =…

The purpose of this study was to interrogate discourses of "popular music pedagogy" in order to better understand music education practices generally and specifically those in the United States. Employing a conceptual framework based on the work of Jan Blommaert (2005), a content analysis was conducted on a sample of 81 articles related…

This study examined the effects of teacher characteristics, school conditions, teacher efficacy, external support, and remuneration on music educators' risk for attrition and migration. Data from the 1999-2000 Schools and Staffing Survey--a comprehensive, nationally representative survey of teachers, principals, and schools conducted by the…

This is the fourth in a series of studies whose purpose has been to develop a theoretical model of selected extramusical variables' ability to explain solo and small-ensemble festival ratings. Authors of the second and third of these (Bergee & McWhirter, 2005; Bergee & Westfall, 2005) used logistic regression as the basis for their model-building…

Examines the events between November 1837 and August 1838 which led to the acceptance and support of curricular music in the Boston (Massachusetts) public schools, and ultimately, the rest of the country. Recognizes the efforts of Lowell Mason and Joseph Harrington to establish music programs as part of the school curriculum. (GEA)

Looks at effective teaching research in order to identify a "correct" teaching sequence. Analyzes rehearsals to determine how teachers with varied levels of training and experience conformed to the optimal sequence. Finds that teachers spent too little time in correct sequences and failed to use enough positive reinforcement. (Author/LS)

The utilitarian values of music education that have formed its historical philosophical basis have been rejected during the last 30 years because they have little to do with music. Music is now taught for the sake of music. (RM)

Explores the notion of imaginative development. Defines imagination through a review of literature of music, religion, and aesthetics. Suggests that imagination precedes creativity and involves perception, intuition, thinking, and feeling. Describes a developmental sequence based on research. Proposes ways to cultivate imagination through music.…

Reports on a study of the influence of harmonic context on the sight-singing skill of middle school choral music students. Finds that students in the melody-only treatment group showed more improvement in sight-singing than those in the vocal-harmony group. Also finds no differences between the melody-only and the piano-harmony groups. (CFR)

Reports on a study designed to replicate and extend existing literature on important factors and abilities that influence sight-reading skills in music. Finds that, in the beginning stages of training, sight-reading skill is not correlated significantly with ability to perform rehearsed music. (CFR)

Presents findings of a qualitative study of musical learning processes. Findings are reported in terms of the nature of strategies used by children as they work with peers to solve compositional problems. Also finds that successful students moved back and forth from holistic approaches to segmented activities. (CFR)

Compares preferential ratings of art music among 100 music majors and 100 nonmusic majors. Finds that music majors' preference ratings were significantly higher than those of the nonmajors. Also finds that Likert-scale ratings of nonmajors using the Continuous Response Digital Interface were higher than those using a static measure. (CFR)

Reports on a study of the extent and nature of collaboration in music teacher education between K-12 schools and 204 higher education institutions. Finds significant relationships between the degree of collaboration and: the number of music education majors, the institution's size, and graduate study in music education. (CFR)