Looks at effective teaching research in order to identify a "correct" teaching sequence. Analyzes rehearsals to determine how teachers with varied levels of training and experience conformed to the optimal sequence. Finds that teachers spent too little time in correct sequences and failed to use enough positive reinforcement. (Author/LS)

Reports on a study that analyzed students' chain of music decisions from problem perception to problem solution. Found that highly involved problem solvers explored and organized sound for its musical expressiveness, while uninvolved problem solvers rarely based their decisions on musical concerns. Concludes with implications for music teaching.…

Attempts to determine the type of rehearsal organizational structure used by successful Ohio high school mixed chorus directors. Examines relationships between rehearsal structure and either teaching style or student attitudes. Results imply that music methods courses should offer a variety of rehearsal organizational strategies. (Author/LS)

Reports on a study that investigated the effectiveness and efficiency of computer classroom drill for learning bass clef notes. Compared posttest results among students with differing cognitive styles. Concludes that computer assisted instruction is an effective way to teach music skills, allowing teachers to focus on teaching aesthetic aspects of…

Reports a study comparing Illinois high school band and choral directors' grading systems with systems proposed by principals. Concludes that principals placed more value on cognitive criteria and performance technique but less on concert attendance and behavior than did directors. Suggests that music educators develop course and grading systems…

Discusses a study of the ability of 11 variables to predict performance, achievement, teacher evaluation, and retention of fifth grade beginning instrumentalists. Reports that scholastic ability and academic achievement tests were leading predictors of performance achievement. Concludes that socioeconomic status and self-concept played prominent…

Describes a study that sought to identify music skills and understandings that early childhood and elementary school classroom teachers perceived as useful. Reports that teachers favored those aspects that enabled them to present music as a supplement to other areas of study or as recreational or transitional activities. (SG)

Examines views expressed in "Godey's Lady's Book," a U.S. nineteenth-century women's magazine, about the role of music and music instruction. Ideologies, biases, and controversies were expressed in the magazine. Comments that music instruction and decisions about who should receive musical training was highly controversial. Identifies values and…

Administers an experimental college version of the Musical Aptitude Profile (CMAP) and 2 motivation measures to 187 nonmusic majors in a music appreciation course. Eliminates CMAP results from analysis resulting from low reliability. Includes data table that were significantly related. (NL)

Explores the notion of imaginative development. Defines imagination through a review of literature of music, religion, and aesthetics. Suggests that imagination precedes creativity and involves perception, intuition, thinking, and feeling. Describes a developmental sequence based on research. Proposes ways to cultivate imagination through music.…

Asked adults and children ages 7 to 15 to detect changes in an unaccompanied drumbeat. Found significant differences in performance as a function of age when drumbeats fluctuated. Found musical training more influential than age when drumbeat was constant. Discusses a multiprocess model for the perception of tempo. (NL)

Measures the effects of cognitive-style field dependence/field independence on students' ability to discern form in music. Applies tests to 119 nonmusic majors enrolled in an introductory music course. Finds field-independent subjects scored significantly higher than field-dependent subjects. Identifies variables affecting learning for both…

Reports findings of two experiments examining perceived differences among teaching styles and identifying subjects' perceptions of their own teaching styles. Teaching styles were rated by 188 elementary education students and 99 music students using transcripts from audiotape recordings of music classroom sessions. Found feedback more effective…

Argues that many existing methods for teaching English diction for choral performance are ineffective. Describes a study of the Articulatory Diction Development Method (ADDM), focusing on kinesthetic awareness and speech articulator control. Concludes through research involving three high school choirs that the ADDM can improve choral tone and…

Presents results of a study of the relationship between the diagnostic skills of string music teachers and the performance competencies of their students. Reports no significant relationship between teacher skills and student competencies. Presents teacher ratings of the influence of 22 factors on students' musical achievement. (SG)