Formal ceramics art education is becoming a fundamental requirement for professional practice in ceramics in Nigeria. Considering the ample resources available for ceramic practices in the country with a teeming population of over 140 million people, there is a promising future for the art, in spite of the effects of globalization and inter-cultural infiltrations. Despite the existing raw material potential, ceramic resources are still underutilized, while the ceramic art programme still cannot produce individuals who can function productively in a highly competitive ceramics market economy. An appraisal of the professional engagement of art and design graduates does not find the objectives of the programme in Nigerian tertiary institutions to be met. This article examines the current status of ceramic art education by identifying existent problems and inherent potentialities, as well as suggesting a way forward through repositioning art education in Nigeria. (Contains 4 figures.)