Over a three-month period, Arcadia High School and Arizona State University formed a community partnership with the help of New York modern dance choreographer David Dorfman to create an original dance titled "Here." Dorfman's community-building approach is based on personal refection, collaboration, critical thinking, problem solving, genuine…

When children create dances using their ideas, they are empowered to explore their thoughts, feelings, and perspectives. Through dance, they bring their inner self to the surface where they can express their dreams, fears, needs, and joys. Dance educators need to support children's ideas and trust the children's creative process, especially when…

This report compares important aspects of American and Chinese dance education through the lens of the "Chinese Leadership in Arts Education" workshops organized by Brigham Young University in response to requests from Chinese arts educators to observe American arts education in practice as a benchmark for assessing the direction of Chinese arts…

Research on the efficacy of traditional ballet barre exercises in relation to student learning and performance in technique class essentially is non-existent. This research explored how students described their experiences with barre work as well as how they saw these experiences as developing desired skills for moving in the center work.…

"Standing down straight" means to stand on two feet with both stability and relaxation. Using standing down straight as the foundation of class work, Jump Rhythm Technique offers a fresh alternative to conventional systems of dance study. It bases its pedagogy on three behaviors: grounding the body so that it can move with power and efficiency,…

There is a need for culturally relevant teaching in dance education. Many dance teachers have heard the buzz words "culturally relevant teaching methods." Yet these dance educators acknowledge that the "dance culture" is not always synonymous with "culturally relevant." This paper examines the issue of culturally relevant teaching methods in dance…

Dance studio spaces are often tucked away in the physical plant, separated from other classrooms and the primary activities of the school. During team meetings and curriculum planning, where does the dance educator ft in? With whom does the dance educator partner or team? The dance educator should be routinely partnered with a department or team…

This study explores the intersection of the individual's imagery ability, imagery use in dance training and performance, and learning style. Thirty-four intermediate-level ballet and modern dance students at the University of Oregon completed the Movement Imagery Questionnaire-Revised (MIQ-R) and Kolb's Learning Style Inventory-3 (LSI-3). The four…

A model for the holistic preparation of dance teachers is presented. The model includes four tenets: focus on the whole person, integrated curriculum, explicit identity development, and apprenticeships in relevant communities of practice. (Contains 1 figure.)

For the majority of undergraduate dance students, success is the realization of a career in performance; however, given that this will be the outcome for so few graduates, should this ideal be redefined? This paper draws on findings from a case study of Australian dance artists, which sought to determine how dance artists allocate their working…

The intent of this action research study was to determine the effect peer coaching had on transfer of skills and content in the secondary arts classroom. Incorporating both qualitative and quantitative methods, the study took place in two public high schools, one a suburban high school and the other a first ring suburban high school (close to an…

In this action research study, the author examines her teaching a unit of study focusing on the dance "Outside In," choreographed by Victoria Marks in 1994. Aided by an analysis of multiple forms of data collected from her high school dance students in response to the unit, the author identifies and then reflects upon two important themes, one…

This action research involved co-teaching a week of dance appreciation at the University of North Carolina at Greensboro, on Yvonne Rainer's "Trio A." The data discussed is from transcriptions of the three classes, as well as observation sheets completed by the students in class. This article also draws on existing literature about dance…

This essay explores factors influencing high-quality teaching in dance. The author argues that deficiencies in the skills needed to teach the content of dance (i.e., pedagogical knowledge) pose a bigger threat to effective instruction than familiarity with the subject being taught (i.e., content knowledge). The process of learning to teach not…

Despite the importance of lifts in Western theatrical dance, few reports have been published on the subject and few techniques established as good practice. Dancers usually learn partnering by trial and error, an approach that elicits both spectacular and inefficient results. To establish safer partnering practices, more efficient use of rehearsal…