This article describes the school-wide support behind an arts-infused dance curriculum at the Linwood A+ Elementary School. The "A+" stands for "arts plus academics." Linwood A+ Elementary School is based on this model, an approach to teaching and learning that infuses the arts into the whole curriculum. It is a vision of arts-infused teaching and…

The transition from teaching dance in higher education to the secondary school setting can be turbulent. Dance curriculum for secondary students must meet their developmental and psychological needs, while also fitting into an abbreviated class period. Individuals making this transition must be aware of the different goals that a middle or high…

This article describes the three fundamental strategic principles--to be curricular, developmental, and democratic--that have been designed and implemented in the Mamaroneck High School's integrated arts program, a four-year, sequential, elective program that includes dance, theater, and music. An explanation of the ways in which the dance…

This article evaluates strengths and limitations of some studio training. It focuses on values that private studio students bring to the public school setting. One teacher uses this as an opportunity to reflect on and claim her own values and desire to develop students as artists.

Reviews the contributions of Gardner's Theory of Multiple Intelligences (MI) to dance education by placing MI theory in the context of historical perspectives on intelligences and examining the assumptions behind traditional models of intelligence and some of the more recent pluralistic approaches. The paper reviews the principal tenets of MI…

Investigated relationships between private dance schools and higher education programs, examining factors that facilitated or hindered successful collaborations. Surveys data indicated that positive connections were characterized by investigating and respecting the needs, cultures, and goals of potential partners during all phases of planning,…

Discusses the great diversity and lack of consistency in dance teacher preparation and certification programs, examining K-12 licensure (state certification, vocational certification, and endorsement); certification of private studios and schools of dance (certification and registry); current progress toward certification; and the five-phase…

Explores applications of somatics to school and university curricula, addressing somatic knowledge as content and methodology in dance education, proposing strategies for bringing the body back into dance and dance curricula, exploring cultural diversity issues within dance and somatic education, and concluding that somatic knowledge and practice…

Addresses pragmatic aspects of somatics in the public sector, investigating the fit of somatics within various institutions and settings, including universities, professional schools, and community programs. The article explores issues such as somatic movement approaches, certification, academic degrees in somatic study, confusions within the…

Provides a transcultural perspective on somatics, reflecting on the evolution of somatics in different dance communities around the world, noting shifts that have occurred within specific cultural contexts, and discussing the presence of somatics in academia with the challenge of conducting research that retains somatic integrity. The article…