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Johnson, Christopher M.; Madsen, Clifford K.; Geringer, John M. – International Journal of Music Education, 2012
The purpose of this study was to investigate how instruction in the use of rhythmic nuances influences subsequent timings of a musical performance. Volunteer participants were asked to listen to and alter a performance of an excerpt from Mozart's "Concerto for Horn and Orchestra No. 2" and Bach's "Suite Number 3 for Violoncello solo, Bourree…
Descriptors: Majors (Students), Experimental Groups, Music, Musicians
Napoles, Jessica; Madsen, Clifford K. – International Journal of Music Education, 2008
Investigating the emotional impact of music listening has a long history. Indeed, reactions to subtle as well as obvious changes in music, whether inadvertent or deliberate, occupy a good deal of interest for the music researcher as well as the music educator. Regardless of the extremely subtle acoustic changes that are perceptible within almost…
Descriptors: Music Education, Music, Emotional Response, Classroom Environment
Geringer, John M.; Madsen, Clifford K.; Macleod, Rebecca B. – International Journal of Music Education, 2007
We investigated effects of legato, staccato and pizzicato articulation styles on the perception of modulated tempos. Seventy-two music majors served as participants. Two solo violin excerpts were chosen with contrasting rhythmic rates and were recorded in all three articulation styles. Examples were presented to listeners in three conditions of…
Descriptors: Music Education, Music, Music Techniques, Majors (Students)

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