General music teachers might be faced with formal performance expectations placed on them by administrators. While performance expectations are common in performance-based ensembles, meeting these expectations can be cumbersome and daunting to those who serve in the realm of general music. Informances--informative presentations of student learning…

Music video creation provides students a new way to express themselves and become better performers and consumers of media. This article provides a new perspective on Lucy Green's informal music pedagogy by enabling students to create music videos in music classrooms; thus, students are able to create music videos that informally develop…

The excitement of playing an instrument is one of the greatest motivating forces in teaching general music to students. The autoharp, which may be long forgotten in the general music classrooms of the 21st century, is an ideal instrument to "re-introduce" to students. The teaching of a traditional folk instrument provides advantages for…

This article is an introduction to video screen capture. Basic information of two software programs, QuickTime for Mac and BlueBerry Flashback Express for PC, are also discussed. Practical applications for video screen capture are given.

Sound tracks serve a valuable purpose in film and video by helping tell a story, create a mood, and signal coming events. Holst's "Mars" from "The Planets" yields a coincidental soundtrack to Eric Rohmann's Caldecott-winning book, "Time Flies." This pairing provides opportunities for upper elementary and…

In our growing digital age, young children are inevitably exposed to a variety of technology and media devices. We see 2-year olds taking "selfies" on their parents' phones, iPads and e-readers filled with children's books and games, and thousands of songs stored on iPods for children to listen to and sing along. The ways in…

Implementation of the English Language Arts (ELA) Common Core State Standards (CCSS) reduces the traditional separation between the study of different subjects. Increased focus on nonfiction reading and writing means more incorporation of other content, such as music, into language arts classes. CCSS's emphasis on speaking and writing across…

Young teachers often struggle with pacing and the ability to cover more than one or two songs and activities in a single 30-minute general music class. Included in this article are lesson activities that show it is not only possible to include many of the National Standards in a single lesson, but also possible to sing, play, and create in every…

Language and music literacy share a similar process of understanding that progresses from sensory experience to symbolic representation. The author identifies Bruner’s modes of understanding as they relate to using narrative in the music classroom to enhance music reading at iconic and symbolic levels. Two sound stories are included for…

The best moments happen when students begin to realize how much power they have and use that power to create. Composing as they master different instrumental stages helps students make composition and performance a natural step in learning. A step-by-step process (rhythm notation, add pitches, copy to a five-line staff, check work, and play) keeps…

This article presents an interview with E.J. Choe, director of the Music Academy at Indiana University-Purdue University Indianapolis, on how she became involved in the use of technology to teach piano and how the software program Band-in-a-Box has helped her in teaching her students. Choe shares that instead of sitting at a grand piano in her…

This article explains the difference between concepts and skills in music education. Concepts about music cannot be taught; they are acquired through meaningful experiences. These experiences are typically called musical skills and include singing, chanting, playing, moving, creating, improvising, and writing. Suggestions for organizing the school…

The article focuses on learning music among children. It is said that in general music, many concepts are introduced to young students. Most teachers have learned the mental health survival skill of teaching the appropriate use of an outdoor voice, an indoor voice, and a whisper voice. Tempo is much the same argument as volume. (Contains 2…

Describes MusiCircus, developed by composer John Cage, where people play different types of music simultaneously. Presents a different version of this approach where parents and children participated in various activities at the same time. Includes guidelines for creating a MusiCircus. (CMK)

Focuses on the use of recorder ensembles in general music classes, discussing topics such as strategies for procuring soprano, alto, and bass recorders and ensemble activities for grades 3-8. Provides a bibliography of resources for recorder playing and information on transposition and arranging music. (CMK)