This article explores the interplay between young children's spontaneous engagement in learning through their imagination, and the mind-set of the teacher when approaching planning for instruction. Perhaps by connecting with our own imaginative thinking, we can gain insights about our young learners, and find additional strategies to promote…

General music teachers might be faced with formal performance expectations placed on them by administrators. While performance expectations are common in performance-based ensembles, meeting these expectations can be cumbersome and daunting to those who serve in the realm of general music. Informances--informative presentations of student learning…

Word sorts are standard practice for aiding children in acquiring skills in English language arts. When included in the general music classroom, word sorts may aid students in acquiring a working knowledge of music vocabulary. The author shares a word sort activity drawn from vocabulary in John Lithgow's children's book "Never Play…

Educated in a digital world, millennial children lack social interaction and actual hands-on activities involving tactile and kinesthetic training. To counteract this educational trend, traditional singing games that allow children to explore and make sense of their world physically can be valuable. This article introduces the traditional Javanese…

School music programs are changing. For years the music education profession has emphasized large ensemble experiences for reasons that include quality of music making, sense of community, and individual and collective pride for many of the students involved. As a high school saxophonist, I valued that experience, but other high school…

Sound tracks serve a valuable purpose in film and video by helping tell a story, create a mood, and signal coming events. Holst's "Mars" from "The Planets" yields a coincidental soundtrack to Eric Rohmann's Caldecott-winning book, "Time Flies." This pairing provides opportunities for upper elementary and…

Language and music literacy share a similar process of understanding that progresses from sensory experience to symbolic representation. The author identifies Bruner’s modes of understanding as they relate to using narrative in the music classroom to enhance music reading at iconic and symbolic levels. Two sound stories are included for…

To be culturally responsive teachers, we must first have an understanding of other cultures and how students from these cultures differ from one another. As we consider the many cultures represented in our classrooms, we might also consider students with disabilities as a cultural group. Within any main culture are subgroups differentiated by…

For many young children who are English language learners (ELLs), the transition from home to kindergarten can be challenging. Music teachers face the challenge of working with all individuals in a student population and often engage with children who represent home environments whose native language is not English. As ELL students adjust to the…

The Tanglewood and Housewright Symposia concluded that music programs should include music from other cultures, as well as teach students of all abilities. Yet teachers sometimes feel uncomfortable attending to both of these values. Some music teachers have found creative solutions to incorporating world music into their curriculum for students…

For many years, the term "special education" was used to denote the education of students with disabilities in either segregated or mainstreamed classrooms. The term "special education" is swiftly fading from the lexicon of academia. In today's schools, all education is considered to be "special." Educational reformers are embracing the concept of…

This article summarizes currently available brain research concerning relationships between singing and language development. Although this is a new field of investigation, there are findings that are applicable to general music teaching classroom. These findings are presented along with suggestions about how to apply them to teaching music.

Describes various resources that will aid music teachers educating special needs students in their classrooms. Focuses on such resources as "Music for Special Education,""Reaching the Special Learner through Music," and "Music for the Hearing Impaired and Other Special Groups." (CMK)

Explores the development of performance-based assessments from the teacher's perspective. Describes the issues of relevance and representativeness within the context of a rubric designed to assess student development and performance of a rhythmic composition. Discusses three ways a component can be irrelevant, measuring proficiency, and…

Describes an alternative approach for general music educators wanting to study new instructional strategies in which a classroom teacher and university educator collaborated to explore the integration of computer technology with Orff-Schulwerk in second- and third-grade music classes. Discusses the project and two of its technology-assisted…