Describes MusiCircus, developed by composer John Cage, where people play different types of music simultaneously. Presents a different version of this approach where parents and children participated in various activities at the same time. Includes guidelines for creating a MusiCircus. (CMK)

Discusses how music teachers can incorporate computer assisted instruction (CAI) into their elementary classrooms. Addresses the benefits of using computers and the equipment that is needed. Describes ways for students to compose their own music by using "Making Music." (CMK)

Focuses on how to include movement education into the music classroom. Discusses the techniques developed by three movement specialists: (1) Edwin Gordon's Continuous Fluid Motion (CFM); (2) Rudolf von Laban's effort/flow elements; and (3) Phyllis Weikart's taxonomy of movement. Includes a bibliography of resources. (CMK)

Discusses how to make accommodations for special needs students in the music classroom. Focuses on students with reading difficulties, difficulties understanding oral instruction, and mathematical difficulties. Describes using the "LoTTIE" Kit (Low Tech Tools for Inclusive Education), with elementary and secondary students. (CMK)

Focuses on the use of different learning modalities in elementary music classes. Describes four learning modalities (aural, kinesthetic, tactile, and visual) and discusses how these modalities can aid in children's conceptual understanding. Discusses the benefits of this approach and includes a lesson plan using the learning modalities. (CMK)

Focuses on the importance of developing student listening skills. Describes a classroom project for fifth-grade students in which they created a music video, addressing the roles of the students and the teacher. Includes a section detailing the steps involved in completing this project. (CMK)

Discusses how music teachers must account for the needs of all children within their classroom, including gifted and talented students and special needs students. Presents a strategy, "Multi-level Instruction Profile," that can be utilized to provide enrichment, accommodation, or modification to classroom lessons. (CMK)

Urges music educators to use activity-based instruction as opposed to more traditional methods. Provides two lesson plans for middle school students where they learn about musical instruments in an integrated science and music environment that promotes concept formation and the exploration of the role of culture in music-making. (CMK)

Presents a unit for elementary students that focuses on the music of the ancient culture of China during the Tang dynasty. Provides background information on Chinese society, music in ancient China, the relationship between music and poetry and other related arts. Offers two lesson plans with accompanying music and a list of resources. (CMK)

Describes an educational strategy that uses current multimedia resources to combine sounds and images important to students. States that the arts can provide students with the opportunity to create and share new perspectives about their worlds with their peers and others. Provides a scoring rubric and steps for a middle school project. (CMK)

Maintains that solo singing is an important tool for developing children's voices for two reasons: (1) the music educator can assess a student's vocal development and then give feedback as needed; and (2) children have a chance to hear their own voices and learn how to produce a good vocal sound. (CMK)

Emphasizes the importance of teaching elementary students performance and audience etiquette through example and repetition. Contends that elementary music teachers can educate their students about certain "ground rules" for social conduct through basic standards for students when in the role of performer and audience member. (CMK)