Pays tribute to Charlotte Brooks for her contribution to teaching. Applauds her innovative teaching approaches that emphasize the importance of listening to the students. Reviews her concern with teacher attitude, expectation, and honesty. (TB)

Provides language arts teachers with specific techniques to help content-area teachers get more writing into their classrooms. Suggests that some of these techniques might be helpful to language arts teachers themselves, especially in getting students to think about learning. (TB)

Explores connections to be made between literature and life by using "Cinderella" as an occasion for classroom drama and personal discussion. Explains how the instructor assumes the role of a reporter as students tell their own Cinderella stories. (TB)

Explains how the reading of young adult fiction can help young adults to write better. Presents exercises in writing good first lines; using detail; using simile and metaphor; and sharing significant insights. Provides excerpts from young adult fiction. (TB)

Explains how an English teacher settled into an unproductive, formulaic approach to teaching writing and how he reformed himself and his teaching through a discovery of the processes involved in writing. Describes exercises and notebooks that furthered his new "process" approach to teaching writing. (TB)

Examines "writing" as a word that means one thing to some people and another to others. Suggests that sloppy usage of such a charged word could lead to trouble. Looks particularly at the move from the "writing process" or "process writing" and at what this semantic transformation indicates. (TB)

Explains how a teacher teaches process writing in her mainstream high school classes, despite her obligation to cover grammar, literature, vocabulary, research, and communication. Shows how some approaches to process writing can be modified to fit it into a tighter, more structured course. (TB)

Looks at how writing instruction has progressed 25 years after Janet Emig and other scholars investigated the composing process of writing students and put forth the notion of process writing. Presents three teacher profiles that demonstrate the wide variety of classroom practice in writing instruction now in use. (TB)

Reports on a study of seven experienced secondary school writing teachers in Victoria, Australia. Focuses on how their own writing or lack of writing affects their teaching practices and effectiveness. Finds that the issue of becoming an effective writing teacher is more complex than the seemingly straightforward prescription that writing teachers…

Describes how a parent, in cooperation with other volunteers, organized a writing center on a high school campus. Explains how they secured funding, found a room out of which to operate, and worked their way into the culture of the high school. Outlines the development of the writing center over its first four years. (TB)

Reviews an instructional strategy for remedial writers which consists of four steps: identifying a strategy worth teaching; introducing the strategy by modeling it; helping students to try it out with workshop-style teaching guidance; and then, helping students to work toward independent mastery. (TB)

Explains how a teacher engages students in conversations about the teaching of writing and the use of portfolio assessment. Contains student input on a number of assessment criteria: range, flexibility, connectedness, independence, and conventions. (TB)

Puts forth a plan for raising student consciousness about audience through peer evaluation sessions. Targets three areas of effective autobiographical writing: an engaging opening; focus; and showing, not telling. Discusses grading rubrics for these categories appropriate for student readers. (TB)

Suggests that in evaluating student papers audiotapes have several advantages over written comments: audiotapes make for a holistic instead of myopic evaluating approach, and make it easier to make positive comments. Explains system for transferring responsibility for grammatical errors from the teacher to the student. (TB)

Suggests a number of teaching strategies that can be used for the development of authentic voices (instead of institutional, depersonalized voices) in student writing. Focuses on the importance of students' choosing their own topic, developing audience awareness, and making connections between their own lives and literature. (TB)