Discusses the language practices of introductory biology courses, the means by which knowledge is constructed in such courses, and how it may exclude female students. Provides student responses to writing tasks in the biology class, and analyzes those responses. Shows how male and female students differ in their responses. (HB)

Questions whether teaching critical thinking skills is transferable to the task of writing, or whether critical thinking is context dependent. Demonstrates the relevance of this problem to the current composition classroom and calls for further thought, research, and experimentation concerning this issue. (HB)

Considers how college English instructors view their students. Studies and analyzes references to students appearing in the February issues of the pedagogical journal "College Composition and Communication" for 1990, 1991, and 1992. Calls for increased attention to this subject. (HB)

Presents 17 syllabi, submitted by different instructors, for introductory courses taught to graduate students in the teaching of rhetoric and composition. Contains critical statements attached to each syllabi explaining the goals and approaches of the course. (TB)

Presents a bibliographical essay of diverse sources that address issues relevant to doctoral pedagogy and scholarship. Focuses on previous surveys, thereby creating a microhistory of doctoral programs. Identifies studies that address teacher training issues, particularly how program directors view their responsibilities to graduate teaching…

Describes one teacher's experience of teaching composition theory on the graduate level at a Canadian university. Explains that there are only two rhetoric and composition programs in Canada and that, generally, Canadian universities have been slow to make the transition from neocolonialism to postcolonialism. (TB)

Makes the case for analysis, reflection, and debate about doctoral education in composition and rhetoric at this historical moment. Maintains that the number of established graduate programs in composition and rhetoric calls for a pause for critical reflection. (TB)