WRT 302: Writing Culture is an upper-level elective in the Department of Writing and Rhetoric at the University of Rhode Island (URI). As part of a group of four 300-level courses, Writing 302 draws many junior and senior majors in Writing and Rhetoric, English, and other majors who are looking to add creativity and experience with design to their…

Since Fall 2004, the Undergraduate Catalog at the University of Tennessee-Knoxville has listed a two-part "Communicating through Writing" (WC) requirement, which includes two first-year composition courses and an upper-division course in one of thirty-five majors. Most students fulfill the former by enrolling in English 101 and 102, a two-semester…

Every so often, a technology will saturate the market to the extent that the name of the product becomes a stand-in for the technology itself. While it belongs to the broader genre of slideware, Microsoft PowerPoint is perhaps the best example of software that has achieved that level of ubiquity. Despite Apple's Keynote, the Presentation Editor…

This article points composition scholars toward two bodies of theory that are gaining attention in our discipline, performance studies and multimodal discourse theory. Each raises important questions about the ways we teach writing, the kinds of composition processes we value, and the means by which students construct authority in the university.…

While composition programs are frequently responsible for teaching basic research writing, it is still common practice to limit lessons in information literacy to "one-shot" library instruction sessions. This practice reinforces the perception that the research process is separate from (and simpler than) the writing process, that teaching students…

The study of emotion as discourse not only eliminates objections about the individual psychology of students, it also connects researchers to methods that go beyond reflection and self-reporting. In this article, the author pursues these ideas within the context of a college composition course where students experienced a particularly high level…

Only a few instances of empirical research examine what the students themselves think of their participation in peer review. Perhaps because peer response is practically instinctive to those who teach writing, few have felt the need to study the student perspective. Instead, studies have focused on the quality of peer comments, their effect on the…

This article challenges the assumption that the canon of memory means memorization and transcription, and, as a result, has little relevance for the writing classroom. An examination of the canon's historical legacy and its relationships to literacy and invention open a space for redefining the canon of memory as "rememoried knowing." In brief,…

Compares evaluation criteria for writing held in two contexts; explores the criteria used to evaluate English-language student writing by German and United States secondary school teachers; and compares the rank ordering of three essays given by teachers from these three groups. Presents results that have important implications for writing…

Explores three alternative approaches (conciliatory approach, integrative approach, and deliberative approach) that writers with a broad repertoire of argumentative styles should be able to adopt when they are addressing controversial issues and disputed topics. Focuses on finding differences among the alternative approaches and looking at…

Shows how paying attention to specific insights from the quality movement can help writing teachers rethink their own approaches to writing processes and resist the corporate takeover of institutions and students' minds. Suggests teachers revitalize their thinking about process. Discusses resisting the system. Concludes that a process approach…

Discusses the teaching of writing and the focus of the writer's inner sense of well-being or fulfillment used by Romantic teachers. Mentions that some teachers believe that this is at the cost of suppressing the concept of discourse. Argues that writerly pleasure empowers students, and that this topic is relevant to the teaching of writing. (CR)

Presents an interview with medical doctor Richard Selzer, author of memoirs, essays, fiction and nonfiction. Discusses how a doctor must suppress and compartmentalize lust and revulsion "for certain ugly facts of the flesh." Addresses Selzer's continuing passion for writing, how he gets his ideas, and what it took for him to give up smoking. (TB)

Seeks to uncover the historical roots within English Romanticism of Peter Elbow's thinking in order to show the depth and complexity of his assumptions about writing. Implicitly refutes charges questioning the intellectual credibility of Elbow's work. (TB)

Questions the ability of composition studies to empower students to resist authority. Analyzes the recent paradigm shifts within composition studies from a perspective informed by Michel Foucault. Discusses classroom design, process pedagogies, and the construction of the field of composition as bringing increased student visibility. (HB)