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50 Years of ERIC
50 Years of ERIC
The Education Resources Information Center (ERIC) is celebrating its 50th Birthday! First opened on May 15th, 1964 ERIC continues the long tradition of ongoing innovation and enhancement.

Learn more about the history of ERIC here. PDF icon

Showing 1 to 15 of 92 results
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Auten, Janet – Composition Studies, 2012
This article describes LIT 730: Teaching Composition, a three-credit graduate seminar in American University's Department of Literature for master's-degree students interested in teaching composition. The Literature Department offers both an MA in Literature and an MFA in Creative Writing, and attracts applicants with a flexible "teaching…
Descriptors: Graduate Study, Seminars, Creative Writing, Writing Instruction
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Burns, William – Composition Studies, 2009
The purpose of this essay is to discuss current views of public writing and contribute notions of qualitative research and cultural geography to these conversations. The author also provides two pedagogical examples of how these contributions inform student writing and civic participation in various public spaces. The author believes that public…
Descriptors: Writing (Composition), Audience Awareness, Social Problems, Social Cognition
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Brauer, David – Composition Studies, 2009
"Profession 2005" begins with a series of essays titled "The Future of the Humanities." Without exception, the authors contend that literary studies must reaffirm, or in some cases reassert, its connection with the humanities in order to retain viability for the foreseeable and distant future in American higher education. In the words of Robert…
Descriptors: Higher Education, Writing (Composition), Humanities, Intellectual Disciplines
Sirc, Geoffrey – Composition Studies, 2008
In this article, the author traces the life of Andy Warhol, an American artist. Warhol, who became ill with a nervous condition, had spend most of his childhood in a bed littered with comic books, paper dolls, coloring books, a camera, cap gun, and his Charlie McCarthy doll. Warhol was the only Pop artist who was not a professionally, academically…
Descriptors: Photography, Artists, Profiles, Art Education
Kyburz, Bonnie Lenore – Composition Studies, 2008
In this article, the author reflects on her personal experience, along with various historical accounts, in order to project a sense of "crisis" in 1963 film culture and argues that a similar disposition attempted to move 1963 Composition. Explored through the lens of the year 1963, the author focuses at the work of an iconic filmmaker--Jean Luc…
Descriptors: Discourse Communities, Writing (Composition), Films, Criticism
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Paley, Karen Surman – Composition Studies, 2008
The author had the pleasure of being in an academic setting where students of color were in the majority. That was the summer of 2004 as she observed African-American Literature 1900-Present, a writing intensive class in the Special Program in Talent Development (SPTD) at the University of Rhode Island (URI). The author wants to tell the story of…
Descriptors: African American Students, African American Literature, Special Programs, Talent Development
Taylor, Hill – Composition Studies, 2007
In "The Mis-Education of the Negro," Carter Woodson issues a mandate for a different and original program of education for African-Americans, specific to their own conditions. If educators, the author opines, are to take this mandate into consideration when designing and implementing appropriate curricula and pedagogy, then they must start paying…
Descriptors: African Americans, Black Colleges, Urban Schools, African American Education
Bloom, Lynn Z. – Composition Studies, 2007
The author never had a formal mentor. Indeed, when people ask her who was her mentor and she says "No one," they react with shock. How could that be? Yet neither the concept nor the reality were available to her as a grad student at Michigan 1957-62, territory largely off-limits to women at the time. Nevertheless, having snuck in under the cover…
Descriptors: Mentors, Women Faculty, Personal Narratives, Graduate Students
Ianetta, Melissa; Bergman, Linda; Fitzgerald, Lauren; Haviland, Carol Peterson; Lebduska, Lisa; Wislocki, Mary – Composition Studies, 2006
As Composition Studies has grown as a discipline over the last quarter century, the field has wrestled with defining and naming disciplinary expertise and professional positions. At first glance, issues of naming may not appear worthy of debate, and so whether an individual writing center director identifies as a writing program administrator…
Descriptors: Writing (Composition), Figurative Language, Administrators, Laboratories
Bean, Janet; Eddy, Robert; Grego, Rhonda; Irvine, Patricia; Kutz, Ellie; Matsuda, Paul Kei; Cucchiara, Maryann; Elbow, Peter; Haswell, Rich; Kennedy, Eileen; Lehner, Al – Composition Studies, 2003
Presents an account of the authors' shared explorations and efforts to name some important variables or criteria that bear on the question of whether or not to invite students to write in a home dialect or language. Offers conclusions in the form of a list of 10 variables to consider. (SG)
Descriptors: English Instruction, Higher Education, Native Speakers, Nonstandard Dialects
Kahn, Seth – Composition Studies, 2003
Considers how theories of writing grounded in cultural studies and ethnographic writing have explicitly taken up questions of writing students' relations to cultures and communities outside the academy. Considers disciplinary influences in ethnographic writing. Discusses the reenvisioning of the politics of postmodern ethnography. (SG)
Descriptors: Cultural Awareness, Ethnography, Higher Education, Politics
Moore, Cindy – Composition Studies, 2002
Considers the author's own experience with "voice" in her graduate studies pursuing poetry writing, women's literature, and composition theory. Notes that because voice as a metaphor has been called into question, many female educators have grown reluctant to use it. Discusses how a metaphor like voice can successfully imply both the stable,…
Descriptors: Feminism, Higher Education, Instructional Improvement, Metaphors
Brooks, Kevin – Composition Studies, 2002
Notes one of the most prominent debates in composition over the last 10 years concerns abolition of required first-year English. Elaborates three points as they contribute to the author's overall argument that the abolitionist debate is not one that needs to be resolved, but instead is an exchange of ideas from which others in the field can learn…
Descriptors: Educational Change, Freshman Composition, Higher Education, Introductory Courses
Stenberg, Shari J. – Composition Studies, 2002
Explores the tendency to deny embodiment in scholarly and pedagogical sites and the related tendency to conflate disembodiment with authority and freedom. Argues that while feminism has a long tradition of examining the body as a material, political site, "new" postmodernist scholarship has tended to "textualize" the body. Examines critical…
Descriptors: Classroom Communication, Cultural Differences, English Instruction, Feminism
Rohan, Liz – Composition Studies, 2002
Critiques and advances an understanding for a method of establishing ethos-- promoting one's field by distinguishing it from work associated with women. Provides some reasons why this might have been important to women librarians and argues how this process applies to particular exigencies in the contemporary fields of library science and of…
Descriptors: Feminism, Higher Education, Librarians, Library Science
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