ETC 408/508: Technical Editing is a cross-listed undergraduate and graduate course at Missouri Western State University, an open admissions public university with approximately 6,000 students. 508 is an elective course for students in the Master of Applied Arts in Written Communication degree and highly recommended for those in the Technical…

The course will focus on the role of the editor in organizational settings, including creating successful writer/editor collaboration. Students will gain practice in editing documents for grammar, syntax, organization, style, emphasis, document design, graphics, and user-centered design. The course will provide an introduction to technology for…

This article provides the syllabus for the course "WRA 125--Writing: The Ethnic and Racial Experience: An Afrocentric Approach." This course will examine writing the American, ethnic and racial experience, using an Afrocentric framework to explore the field of Composition Studies. Students will be introduced to Ebonics/African American Language…

Explores limitations of current reflective practices, starting with their ideological roots in the process movement. Highlights ways that students are able to remain distanced from the discursive conventions and social practices that they are ostensibly learning to control. Describes a revised reflective assignment involving student portfolio…

Presents a course syllabus for English 315, Special Topics in Writing, a course at University of North Carolina-Wilmington under which department faculty may propose a focused study of a theme, issue, or genre in writing or rhetoric. Explores the relationship between writing and the self. Includes a critical statement evaluating strengths and…

Constructs a protocol of a teacher reading and responding to a student essay. Provides a map of the various concerns a teacher can take up in reading. Creates and models a heuristic to reflect on reading and responding practices in light of one's philosophy, assumptions, and practice. (PM)

Reviews the inclusion of literacy lessons and rhetorical learning into the architecture and urban planning curricula. Reviews these curricula in order to demonstrate how they can be turned to inform attention to place in the teaching of writing. Concludes with a discussion of some assignments that such perspectives support. (SG)

Presents a course design for a graduate level seminar in writing for students concentrating in either composition and rhetoric or TESOL for the Master of Arts in English at Wright State University. Notes that the course focuses on curriculum design and integrates the practices of teacher lore with the disciplined, critical thought expected in a…

Explores three alternative approaches (conciliatory approach, integrative approach, and deliberative approach) that writers with a broad repertoire of argumentative styles should be able to adopt when they are addressing controversial issues and disputed topics. Focuses on finding differences among the alternative approaches and looking at…

Shows how paying attention to specific insights from the quality movement can help writing teachers rethink their own approaches to writing processes and resist the corporate takeover of institutions and students' minds. Suggests teachers revitalize their thinking about process. Discusses resisting the system. Concludes that a process approach…

Presents a course design of English 102: Intermediate College Composition. Describes this course as the second of two written communication courses required of undergraduates at the University of Louisville. Notes the goal of this course was to dissuade first-year writers from a limited outlook without debasing the education out of which it grew.…

Discusses problems of collaborative writing. Introduces the "collage" as a teaching activity and lays out directions for its use. Suggests several methods for helping solo writers get comfortable collaborating with other writers and improve their solo writing. Attempts to make collaborative writing easier, more inviting, but more complex, and…

Considers a cross-cultural composition course as a placement option. Outlines the main points of the composition course: writing projects and activities; providing an English-as-a-Second-Language-friendly environment; discussing opportunities for cross-cultural learning; and implementing cross-cultural composition. (SC)

Gives a detailed syllabus for a course dealing with "unteaching" racism at University of Michigan. Discusses design, philosophy, and development of the course. Discusses experiences with the students' reactions to the course. (SC)

Presents a course design for English 3310, a three-credit composition course offered to advanced writing majors and non-majors at the University of Florida. Describes the section subtitled "Rhetoric and Environment" that was taught in conjunction with the development of University of Florida's College of Natural Resources and Environment. (SC)