Although teacher feedback is vital in teaching students to write, and is a topic of interest and debate in L1 (native or first-language) and L2 (second language) composition theory, there are virtually no studies that analyze teacher commentary conducted in a linguistically diverse setting of L1 and L2 first-year composition students. This study,…

This essay examines contradictory attitudes toward teaching and writing at a small college. Looking at her "private" experience as a teacher and "public" experience as a WPA, the author considers how assumptions about the privatization of teaching inhibit deep understanding of teaching and learning as intellectual work.

This article describes the increasing pressures on those who teach graduate seminars in composition pedagogy to cover a broad range of texts, topics, and techniques. It argues that in response, pedagogy instructors may need to deliberately (re)design their courses in order to continue to help new writing instructors engage in inquiry and…

In "Active Reading," Mark Panek details the dialogic model for discussing reading assignments in introductory composition courses he developed while teaching at the University of Hawai'i at Manoa. He then argues for the model's appropriateness and effectiveness for diverse student populations, situating his discussion in the conversation of…

In "Gumbo Ya ya," the author reflects on how varied stories and cultural and linguistic perspectives encountered during her evolution from student to veteran teacher have helped shape her research and pedagogy. Using a simultaneity of voices that parallel the musical traditions of her Louisiana heritage, she shares her views on teaching…