The treatment of a research paper as an isolated utterance within a composition classroom is problematic in that such papers may fail to encourage transfer of writing knowledge. In this essay, I argue that a research paper's failure to work as a utterance situated within a conversation--as critiqued through a framework constructed by Mikhail…

This article addresses two central research questions: (1) Are there possible detrimental implications to teaching multimodal composition in first-year composition? (2) If so, what is pedagogy's role in mediating these outcomes? Guided by these questions and focused on the responses of eighty seven first-year composition students, a mixed-methods…

Technological and economic change within the business and social function of journalism are moving civic literacy practices ever closer to those of citizen journalism. In this article, I survey the changes underway as journalism becomes less a profession and more a practice, a way of reading and writing about society. I draw from journalism…

The literature on public writing and community literacy has generally focused on "how" to get students to go public in effective and ethical ways. This article instead addresses a prior concern, the problem of "why" to go public. I argue that students (and Americans generally) are immersed within a cultural ecology of civic disengagement that…

This article discusses our university's attempt to analyze whether our system of First Year Writing placement serves the needs of our diverse student body. The theory behind Directed Self Placement (DSP) is appealing, so our program adopted a modified version of it, and after several years, decided to evaluate it quantitatively. The authors, a…

Writing program administrators need to be as concerned about sustaining the cultural ecologies of our communities as we are about the material economies of our institutions--we need to attend to the diverse linguistic and rhetorical ecologies within which twenty-first century student writers are exercising agency. In order to respond productively,…

The following article maps the questions, methods, contexts, and theories presented in published scholarship on writing-related transfer. While not exhaustive, this review attempts to capture representative samples with a focus on recent publications. The article then highlights a multi-institutional research initiative that aims to flesh out the…

Within composition studies, transfer and rhetorical genre studies have found an especially productive partnership for exploring together whether and in what ways students transfer writing-related knowledge from one context to another. This article continues this synthesis by turning to Anne Freadman's notion of uptake to suggest a more robust…

In this article we consider the ways in which college writers make use of prior knowledge as they take up new writing tasks. Drawing on two studies of transfer, both connected to a Teaching for Transfer composition curriculum for first-year students, we articulate a theory of prior knowledge and document how the use of prior knowledge can detract…

While "transfer" has become, in recent years, a subject of great research interest to our field, we still have much to learn about how we can best use this research knowledge to inform local efforts in program development. In this profile, we describe the foundations of the Dartmouth Institute for Writing and Rhetoric and explain how transfer…

The challenges of redesigning and reviving Longwood University's Rhetoric and Professional Writing program involved skills in collaboration, negotiation, and advertisement. While unexpected obstacles arose, taking an honest look at the existing program design and working to maintain the focus on rhetoric helped to circumvent failure. Finally,…

The first-year composition requirement at Murray State University was revised in 2008 from a 6-credit-hour, two-semester sequence to a 4-credit-hour, one-semester course. The revision overtly emphasizes critical reading, writing, and inquiry, while addressing the realities of the institution's resources for teaching first-year composition. This…

Presents and discusses three sets of texts that are excerpted from essays written for a second-semester, first-year composition course at a regional public university. Considers the relationship of the linguistic and sociolinguistic markedness of texts. Explores what the sociolinguistic markedness should be in the writing classroom given the…

Describes general characteristics of edited collections and then offers a brief history of the genre in composition studies based in part on the existing data in CompPile, an online and ongoing bibliography. Explores several explanations for the proliferation of edited collections in the field. Makes note of what these explanations can say about…

Looks at how the best writers of English from the 1600s to the present use punctuation in their nonfiction. Finds three bases for punctuation: intonation, grammar (or syntax), and semantics (or rhetoric). Shows that these authors do not regularly and consistently follow the institutionalized rules. Argues for rhetoric-based punctuation because its…